Shameless Wayne: A Romance of the last Feud of Wayne and Ratcliffe — John Shaqi
Shameless Wayne: A Romance of the last Feud of Wayne and RatcliffeSutcliffe, Halliwell
General
Shameless Wayne: A Romance of the last Feud of Wayne and Ratcliffe
Sutcliffe, Halliwell
Scotland -- Social life and customs -- Fiction; Vendetta -- Fiction
Her voice died down again, though her lips still moved and her needles
chattered restlessly. The wind raced over the moor and in at the rusty
grating, and twice the Sexton’s wife ceased knitting to brush away a
cobweb, wind-driven against her cheek.
"An’ him to hev no more nor a half-hour’s tolling, poor mortal!" she
said, breaking a long pause. "What ’ull he do when he gets to th’ Gate,
an’ th’ bell hes stopped tolling, an’ there’s no Christian music to waft
him in? But theer! What did I say o’ th’ wife when Anthony Wayne went
an’ wedded again—a lass no older nor his own daughter, an’ not
Marshcotes bred nawther. Nay, there’s no mak o’ gooid in
’t—two-an’-sixpence to buy a man’s soul God-speed, there niver war ony
gooid i’ bringing furriners to Marshcotes. Little, milkblooded wench as
she is, not fit to stand up agen a puff o’ wind. Well, I’ve a’most done
wi’ th’ ringing—save I war to gi’e him another half-hour for naught,
sin’ he war a thowt likelier nor th’ rest o’ th’ men-folk."
The little old woman smiled mirthlessly. For folk accounted her sharp
of tongue and hard of heart, and she would never have done as much for
any but a Wayne of Marsh House. Silence fell once again on the belfry
tower, broken only by the click-click of the needles, the creak of the
rope, the subdued thunder of the bell, the wailing frenzy of the wind as
it drove the hailstones against the black old walls.
Eerie as the night was in the belfry, it was wilder yet in the bleak
kirkyard without, free to the moor as it was, and full of corners where
the wind hid itself to pipe a shriller note than it could compass in the
open. The wind, a moon three-quarters full, a sky close packed with
rain and sleet, fought hard together; and now the moon gained a moment’s
victory, shimmering ghostly grey across the wet tombstones; and now the
scudding wrack prevailed, hiding the moon outright. The sodden winter
leaves were lifted from the mould, and danced to the tune of the
raindrops pattering upward from the tombstones.
A figure crossed the moor and halted awhile at the church-yard gate—a
slim figure, of a lissom strength and upright carriage which marked her
as a Wayne of Marsh House. Like a sapling ash the girl had swayed and
bent to the hurricane as she fought her way through the storm; but all
that the wind could do it had done, and had left her unbroken—breathless
only, and glad of the gate’s support for a moment.
Public-domain text, read in full here on John Shaqi.
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