French fiction -- 19th century; Sand, George, 1804-1876
sickness, his repentance, and the letters he has written me during these
last two months, letters adorable in their gentleness and resignation, I
feel that a solemn duty still binds me to that ill-fated child, and I am
reluctant to wound him by a complete desertion. And yet that is just
what is likely to happen on the day after my marriage. Palmer has had a
moment's jealousy, and that jealousy may return on the day that he has
the right to say to me: _I wish it_! I no longer love Laurent, my
beloved, I swear it, I would rather die than love him; but on the day
that Palmer seeks to break the friendship which has survived that
unhappy passion in my heart, perhaps I shall cease to love Palmer.
"I have told him all this; he understands it, for he prides himself on
being a great philosopher, and he persists in believing what seems fair
and right to him to-day will never bear a different aspect in his eyes.
I believe it also, and yet I ask him to allow the days to pass, without
counting them, and without disturbing our present calm and pleasant
situation. I have attacks of spleen, it is true; but Palmer is not
naturally very keen-sighted, and I can conceal them from him. I can wear
before him what Laurent used to call my sick bird's face, without
frightening him. If my future suffering is limited to this, that I may
have irritated nerves and gloomy thoughts without his noticing it or
being affected by it, we can live together as happily as possible. If he
should begin to scrutinize my absent-minded glances, to seek to pierce
the veil of my reveries, to do, in short, ali the cruel, childish things
with which Laurent used to overwhelm me in my hours of moral weakness, I
feel that I have not the strength to struggle longer, and I should
prefer that he would kill me at once; it would be done with the sooner."
About the same time, Thérèse received from Laurent so ardent a letter
that she was alarmed by it. It was no longer the enthusiasm of
friendship, but of love. The silence that Thérèse had maintained
concerning her relations with Palmer had restored the artist's hope of
renewing his intimacy with her. He could not live without her; he had
made vain efforts to return to a life of pleasure. Disgust had seized
him by the throat.
Public-domain text, read in full here on John Shaqi.
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