French fiction -- 19th century; Sand, George, 1804-1876
Visitors to the watering-places in the Pyrenees live in simple lodgings;
but thanks to the avalanches and torrents which wreck many houses every
winter, decorations and furniture have to be replaced or restored every
spring. The cottage Lavinia had hired was built of rough marble, and
sheathed with resinous woods inside. The wood was painted white, and was
as bright and cool as stucco. A rush mat of several colors, woven in
Spain, served as a carpet. Snow-white dimity curtains reflected the
moving shadows of the firs which shook their black tops in the
night-wind, beneath the watery glance of the moon. Small jars of
varnished olive-wood were filled with the loveliest mountain flowers.
Lavinia had plucked with her own hand, in the loveliest valleys and on
the loftiest peaks, the nightshade with its ruddy breast; the
monk's-hood with its pale-blue petals and poisonous calyx; the pink and
white sweet-william, with its delicately notched petals; the pallid
soap-wort; the transparent bell-flowers, wrinkled like muslin; the
purple valerian and all the wild daughters of solitude, so fresh and
fragrant that the chamois fears that he may blight them by brushing
against them as he runs, and the water of springs unknown to the hunter
barely bends them with its careless, silent stream.
That white and perfume-laden apartment had, as if unwittingly, an air of
assignation; but it seemed also the sanctuary of a pure and maidenly
love. The candles shed a timid light; the flowers seemed modestly to
shield their bosoms from the glare; no woman's garment, no symbol of
coquetry, had been left lying on the furniture; only a bunch of withered
pansies and a torn white glove lay side by side on the mantel. Lionel,
obeying an uncontrollable impulse, picked up the glove and crumpled it
in his hand. It was like the cold, convulsive grasp of a last farewell.
He took up the odorless bouquet, gazed at it for a moment, made a bitter
remark about the flowers of which it was composed, and threw it down.
Had Lavinia placed it there with the purpose that it should be noticed
by her former lover?
Lionel walked to the window and put aside the curtains, to divert, by
looking upon the spectacle offered by nature, the emotion that was
gradually stealing over him. It was a magical spectacle. The house,
built on the solid rock, formed a sort of bastion to a gigantic wall of
perpendicular cliffs of which the Gave bathed the base. At the right,
the cataract plunged into the ravine with a loud roar; at the left, a
clump of firs leaned far over the abyss; in the distance lay the valley,
vaguely outlined in the white moonlight. A tall wild laurel, growing in
a cleft of the rock, brushed the window-sill with its long, shiny
leaves, and the breeze, rubbing them together, seemed to be whispering
mysterious words.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account