French fiction -- 19th century; Sand, George, 1804-1876
Lavinia entered while Lionel was engrossed by this spectacle; the noise
of the water-fall and the wind prevented him from hearing her. She stood
behind him a few moments, occupied, doubtless, in collecting her
thoughts, and perhaps asking herself if this were really the man she had
loved so dearly; for, at that moment of inevitable emotion, although the
situation had been planned beforehand, Lavinia fancied that she was
dreaming. She could remember a time when it would have seemed impossible
to her that she could see Lionel again without falling dead with grief
and wrath. And now she stood there, mild and calm, perhaps indifferent.
Lionel turned instinctively and saw her. He was not expecting her, and
he uttered an exclamation; then, ashamed of such a breach of the
proprieties, and bewildered by the emotion that he felt, he made a
violent effort to bestow upon Lady Lavinia a faultless and
irreproachable salutation.
But, despite his utmost endeavors, an unforeseen embarrassment, an
unconquerable agitation, paralyzed his shrewd yet frivolous wit, that
tractable, obliging wit, which stood ever ready to be thrown into
circulation, according to the laws of affability, and to be passed, like
coin, from hand to hand, for the use of the first comer. On this
occasion his rebellious wit held its peace and gazed open-mouthed at
Lady Lavinia.
You see, he did not expect to find her so beautiful. He had left her
quite ill and sadly changed. In those days, tears had withered her
cheeks, sorrow had reduced her flesh; her eyes were dull, her hands hot
and dry, and she neglected her dress. She imprudently made herself ugly
then, poor Lavinia! not thinking that sorrow embellishes a woman's heart
only, and that most men are quite ready to deny the existence of mind in
woman, as was done at a certain council of Italian prelates.
Now, Lavinia was in all the splendor of that second beauty which comes
to women who have not received incurable wounds in the heart in their
first youth. She was still a pale, thin Portuguese, with a slightly
bronzed skin and a somewhat sharp profile; but her expression and her
manners had acquired all the grace, all the caressing charm, of a
Frenchwoman's. Her dark skin was as soft as velvet, as the result of
restored and unfailing health; her slender form had recovered the lithe
and flexible activity of youth; her hair, which she had cut off in the
old days as a sacrifice to love, now shone in all its splendor, in heavy
masses over her smooth brow; her costume consisted of a gown of India
muslin, and a bunch of white heather, picked in the ravine and thrust in
her hair. There is no more graceful plant than the white heather; as you
watched its delicate clusters waving over Lavinia's black hair, you
would have said that they were clusters of living pearls. That
head-dress and that simple gown were in the most exquisite taste, and
the ingenious coquetry of the sex revealed itself therein by dint of
concealing itself.
Public-domain text, read in full here on John Shaqi.
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