French fiction -- 19th century; Sand, George, 1804-1876
"'What! what sort of a clown do you take me for? Say, rather, that I do
not as yet dare to paint portraits, and that I could not do it, since it
must be one of two things: either a specialty, which admits no rivals,
or perfection, and, as one might say, the crown of talent. Certain
painters, incapable of inventing anything, are able to copy faithfully
and agreeably the living model. These are sure of success, provided that
they have the knack of presenting the model in its most favorable
aspect, and of costuming it becomingly while costuming it according to
the fashion; but, when one is only a poor historical painter, very much
of a novice, and of disputed talent, as I have the honor to be, one
cannot contend against the people who make it a business. I confess that
I have never studied conscientiously the folds of a black coat and the
peculiar idiosyncrasies of a given face. I am unfortunate as an inventor
of attitudes, types, and expressions. All these must yield to my
subject, my idea, my dream, if you choose. If you would permit me to
costume you to suit myself, and to place you in a picture of my own
invention---- But no, that would be good for nothing, it wouldn't be
you. It would not be a portrait to give your mistress--much less your
lawful wife. Neither of them would recognize you. So do not ask me now
to do what I may perhaps be able to do some day, if I ever happen to
become a Rubens or a Titian, because then I can remain a poet and
creator, while grasping, without effort and without fear, the potent and
majestic reality. Unfortunately, it is not likely that I shall ever
become anything more than a madman or a fool. Read Messieurs So-and-So
and So-and-So, who have said as much in their criticisms.'
"You can imagine, Thérèse, that I did not say to my Englishman a word
of what I have said to you; one can always arrange one's thoughts better
when talking to one's self; but of all that I could say to excuse myself
for not painting his portrait, nothing had any effect but these few
words: 'Why the devil don't you apply to Mademoiselle Jacques?'
Public-domain text, read in full here on John Shaqi.
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