I have not yet the fibre for work; New York is empty without
you, as my garret would be without your singing. I shall go
away somewhere for a little, leaving my itinerary--when I
decide upon it--at the _Granville_. Some time soon I shall hear
from you. All shall be restored--even serenity to your
beautiful spirit. I only suffer now in that it proved business
of mine to bring you agony. I wanted to make you glad through
and through; to lift your spirit, not to weight it down; to
make you wiser, happier,--to keep you _winged_. This, as I know
the truth, has been my constant outbreathing to you....
My window at the _Granville_ faces the East--the East to which
I have come--yet from the old ways, I still look to the East
for you. New York has found her Spring--a warm, almost vernal
night, this, and I smell the sea.... Two big, gray dusty moths
are fluttering at the glass--softly, eagerly to get at the
light--as if they knew best.... They have found the way in, for
the window was partly open, and have burned their wings at the
electric bulb. The analogy is inevitable ... but _you_ would
not be hurt, for flame would meet flame.... I turned off the
light a moment and remembered that you have already been hurt,
but that was rather because flame was not restored by flame....
One moth has gone away. The other has curled up on my table
like a faded cotton umbrella. So many murder the soul this way
in the pursuit of dead intellectual brilliance....
Bless your warm heart that brims with singing--singing which I
must hear again.... An old sensation comes to me now as I cease
to write. My garret always used to grow empty and heartless--as
I closed and sealed a letter to you.... You are radiant in the
heart of Quentin Charter.
She was unconscious of passing time, until her eye was attracted by the
heavy handwriting of Selma Cross upon a _Herriot Theatre_ envelope. This
communication was an attempt to clear herself with Paula, whose
intrinsic clarity had always attracted truth from the actress; also it
seemed to contain a struggle to adjust herself, when once she began to
write, to the garment of nettles she had woven from mixed motives.
Public-domain text, read in full here on John Shaqi.
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