Paula had felt the advisability the year before of adding somewhat to
her income. Inventory brought out the truth that not one of her talents
had been specialized to the point of selling its product. She had the
rare sense to distinguish, however, between a certain joyous inclination
to write and a marked ability for producing literature; and to recognize
her own sound and sharp appreciation of what was good in the stirring
tide of books. Presenting herself to Reifferscheid, principally on
account of an especial liking for the book-page of _The States_, she never
forgot how the big man looked at her that first time over his
spectacles, as if turning her pages with a sort of psychometric faculty.
He found her possible and several months won her not a little
distinction in the work.
Reifferscheid was a fat, pondrous, heavy-spectacled devourer of work. He
compelled her real admiration--"the American St. Beuve," she called him,
because he was so tireless, and because he sniffed genius from afar.
There was something unreservedly charming to her, in his sense of
personal victory, upon discovering greatness in an unexpected source.
Then he was so big, so common to look at; kind as only a bear of a man
can be; so wise, so deep, and with such a big smoky factory of a brain,
full of fascinating crypts. Subcutaneous laughter that rested her
internally for weeks lingered about certain of the large man's sayings.
Even in the auditing of her account, she felt his kindness.
"Now here are some essays by Quentin Charter--a big man, a young man and
a slow worker," he said. "Charter's first volume was a thunderer. We
greeted it with a whoop two years ago. Did you see it?"
"No," Paula replied. "I was too strong for literary trifles then."
"Anyway, look out for Charter. He didn't start to appear until he was an
adult. He's been everywhere, read everything and has a punch like a
projectile. An effective chap, this Charter. He dropped in to see me a
few weeks after my review. He confessed the critics had made him very
glad.... 'I am doing a second book,' he confided to me. 'Down on my
knees to it. Work-shop stripped of encomiums; no more dinner-parties or
any of that fatness. Say, it's a queer thing about making a book. You
never can tell whether it's to be a boy or a girl....'"
Paula smiled reservedly.
Public-domain text, read in full here on John Shaqi.
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