By some new mastery of style, Selma Cross had managed, almost throughout, to keep her profile to the audience. The last act was half gone, moreover, before the people realized that there were qualities in her voice, other than richness and flexibility. She had held them thus far with the theme, charging the massed consciousness of her audience with subtle passions. Now came the rising moments. Full into the light she turned her face.... She was quite alone with her tragedy. A gesture of the great bare arm, as the stage darkened, and she turned loose upon the men and women a perfect havoc of emptiness--in the shadows of which was manifesting a huge unfinished human. She made the people see how a mighty passion, suddenly bereft of its object, turns to devour the brain that held it. They saw the great, gray face of _The Thing_ slowly rubbed out--saw the mind behind it, soften and run away into chaos. There was a whisper, horrible with exhaustion--a breast beaten in the gloom. Felix Larch swore softly.... _The Thing_ was laughing as the curtain crawled down over her--an easy, wind-blown, chattering laugh.... The critic grasped the low shoulders of a bald, thin-lipped acquaintance, exclaiming: "Where did you get that diadem, Lucky One?" Paula heard a hoarse voice, but the words of the reply were lost. "Come over across the street for a minute. I want a stimulant and a talk with you," Felix Larch added, wriggling into his overcoat. There was a low, husky laugh, and then plainly these words: "She makes your goppers sizzle--eh?... Wait until I tell her she has won and I'll go with you," added the queer little man, whom Paula knew now to be Vhruebert.... The latter passed along the emptied aisle toward Stephen Cabot, who had not left his seat. Paula noted with a start that the playwright's head had dropped forward in a queer way. Vhruebert glanced at him, and grasped his shoulder. The old manager then cleared his throat--a sound which apparently had meaning for the nearest usher, who hurried forward to be dispatched for a doctor. It was very cleverly and quietly done.... Stephen Cabot, who could see more deeply than others into the art of the woman and the power of his own lines, and possibly deeper into the big result of this fine union of play and player--had fainted at the climacteric moment.... A physician now breasted his way through the crowd at the doors, and _The Thing_ suddenly appeared in the nearest box and darted forward like a rush of wind. She gathered the insensible one in her arms and repeated his name low and swiftly. "Yes," he murmured, opening his eyes at last. They seemed alone.... Presently Stephen Cabot laughingly protested that he was quite well, and disappeared behind the scenes, assisted by the long, bare arm that had so recently hurled havoc over the throng. Paula waited for a few moments at the door until she was assured.