Selma Cross had not bathed, nor dressed her hair. She darted in
noiselessly in furry slippers--a yellow silk robe over her night-dress.
Very silken and sensuous, the huge, laughing creature appeared as she
sank upon the lounge and shaded her yellow eyes from the light. So
perfect was her health, and so fresh her happiness, that an hour or two
of sleep had not left her eyes heavy nor her skin pallid. There was an
odor of sweet clover about her silks that Paula never sensed afterward
without becoming violently ill. She knew she was wrong--that every fault
was hers--but she could not bear the way her neighbor cuddled this
morning in the fur of the couch-covering. Selma had brought in every
morning newspaper issued and a thick bundle of telegrams besides. Paula
told her, literally forcing the sentences, how splendidly the play and
her own work had appealed to her. This task, which would have been a
pure delight at another time, was adequately accomplished only after
much effort now. It appeared that the actress scarcely heard what she
was saying. The room was brightening and there was a grateful piping of
steam in the heaters of the apartment.
"So glad you liked it, dear," Selma said briefly. "And isn't it great
the way the papers treated it? Not one of them panned the play nor my
work.... I say, it's queer when a thing you've dreamed of for years
comes true at last--it's different from the way you've seen it come to
others. I mean there's something unique and a fullness you never
imagined. Oh, I don't know nor care what I'm drowning to say.... Please
do look over these telegrams--_from everybody_! There's over a hundred!
I had to come in here. I'd have roused you out of bed--if you hadn't
been up. The telephone will be seething a little later--and I wanted
this talk with you."
Big theatrical names were attached to the yellow messages. It is a
custom for stages-folk to speed a new star through the first performance
with a line of courage--wired. You are supposed to count your real
friends in those who remember the formality. It is not well to be a day
late....
"And did you notice how Felix Larch uncoiled?"
Paula looked up from the telegrams to explain how this critic had been
the object of her contemplation the night before.
"He hasn't turned loose in that sort of praise this season," Selma Cross
added. "His notice alone, dear, is enough to keep us running at the
_Herriot_ until June--and we'll open there again in the fall, past
doubt."
Paula felt wicked in that she must enthuse artificially. She forced
herself to remember that ordinarily she could have sprung with a merry
heart into the very centre of the other's happiness.
"Listen, love," Selma resumed, ecstactically hugging her pillow, "I want
to tell you things. I wanted to yesterday, but I had to hurry off.
You've got so much, that you must have the rest. Besides, it's in my
mind this morning, because it was the beginning of last night----"
Public-domain text, read in full here on John Shaqi.
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