The "Jolly Herrings" was perhaps the most ludicrous and incongruous
house of entertainment of which history records any veracious record. It
was a very gargoyle on the fair fabric of the earth, except that it
served the opposite uses of attracting rather than banishing the evil
spirits about it. Thirty-five years ago it was to be found near the
bottom of the narrow, crabbed little thoroughfare that winds and twists
and descends to that part of the quay which overlooks the ruins of the
castle. The gloomy pothouse was entered by a little porch. Two steps
down led you into a room that was half parlor and half bar, and where
only the fumes of tobacco-smoke were usually visible. Two more steps led
you to an inner and much larger room, that was practically kitchen,
living room, and room of special entertainment. This was the apartment
in which the herring supper was always given. What a paradox the place
was! All that belonged to the room itself was of the rudest and meanest
kind. The floor was paved with stones, the walls were sparsely
plastered, the ceiling was the bare wood hewn straight from the tree.
But over these indications of poverty there was an extraordinary display
of curious wealth. The little window behind Christian in his
"elber-chair" was glazed with a rich piece of stained glass that had the
Madonna and child for subject. The elbow-chair itself was of old oak
deeply carved and bound with clamps of engraved brass. Bill Kisseck, who
by virtue of his office sat at the opposite end of the table, occupied a
small settee covered with gorgeous crimson velvet. On the mantelpiece
were huddled in luxurious confusion sundry brass censers, medieval
lamps, and an ivory crucifix. On the wall, and beside a piece of marble
carved with a medallion, hung a skate that had been cut open to dry. A
pair of bellows lay on an antique chest in the ingle. Into the mouth of
the censers a bundle of pipe-lights had been methodically arranged. A
ponderous silver watch hung round the arms of the crucifix, and a
frying-pan was suspended in the recess of the window that was
consecrated to the Madonna.
Such was the kitchen and stateroom of the "Jolly Herrings"; end no
apartment ever spoke more plainly to those who had ears to hear of the
character and habits of its owners. The house was kept by a woman who
was thin, wrinkled, and blear-eyed; and by a man who was equally thin
and no less wrinkled, but had quick, suspicious eyes, and a few spiky
gray hairs about the chin that resembled the whiskers of a cat. As
husband and wife this couple hold the little pot-house; but long years
after the events now being narrated, it was discovered that husband and
wife had both been women.
Public-domain text, read in full here on John Shaqi.
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