Anne, there is every cause for assurance, was in herself the best
advertisement for her wares. Rachel was a fat old hag. Anne, prettily
fair, little-boned, and deliciously fleshed, was neat and elegant.
The impression one gets of her from all the records, even the most
prejudiced against her, is that she was a very cuddlesome morsel indeed.
She was, in addition, demonstrably clever. Such a man of talent as Inigo
Jones supported the decoration of many of the masques he set on the
stage with costumes of Anne's design and confection. Rachel could
neither read nor write.
It is highly probable that Anne Turner made coin out of the notes which
her late husband, so inquisitive of mind, had left on matters much more
occult than the manufacture of yellow starch and skin lotions. "It was
also rumoured," says Mr Sabatini, "that she amassed gold in another and
less licit manner: that she dabbled in fortune-telling and the arts of
divination." We shall see, as the story develops, that the rumour had
some foundation. The inquiring mind of the late Dr Turner had led him
into strange company, and his legacy to Anne included connexions more
sombre than those in the extravagantly luxurious Court of King James.
In 1610 the elegant little widow was flourishing enough to be able to
maintain a lover in good style. This was Sir Arthur Mainwaring, member
of a Cheshire family of good repute but of no great wealth. By him she
had three children. Mainwaring was attached in some fashion to the suite
of the Prince of Wales, Prince Henry. And while the Prince's court at St
James's Palace was something more modest, as it was more refined, than
that of the King at Whitehall, position in it was not to be retained at
ease without considerable expenditure. It may be gauged, therefore, at
what expense Anne's attachment to Mainwaring would keep her, and to what
exercise of her talent and ambition her pride in it would drive her. And
her pride was absolute. It would, says a contemporary diarist, "make her
fly at any pitch rather than fall into the jaws of want."[9]
II
Public-domain text, read in full here on John Shaqi.
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