Overbury was Rochester's tutor in more than appertained to affairs of
State. It is more than likely that in Carr's wooing of Lady Essex he
had held the role of Cyrano de Bergerac, writing those gracefully turned
letters and composing those accomplished verses which did so much to
augment and give constancy to her ladyship's love for Rochester. It is
certain, at any rate, that Overbury was privy to all the correspondence
passing between the pair, and that even such events as the supplying by
Forman and Mrs Turner of that magic powder, and the Countess's use of it
upon her husband, were well within his knowledge.
While the affair between his alter ego and the Lady Essex might be
looked upon as mere dalliance, a passionate episode likely to wither
with a speed equal to that of its growth, Overbury, it is probable,
found cynical amusement in helping it on. But when, as time went on,
the lady and her husband separated permanently, and from mere talk of a
petition for annulment of the Essex marriage that petition was presented
in actual form to the King, Overbury saw danger. Northampton was
backing the petition. If it succeeded Lady Essex would be free to marry
Rochester. And the marriage, since Northampton was not the man to give
except in the expectation of plenty, would plant the unwary Rochester
on the hearth of his own and Overbury's enemies. With Rochester in the
Howard camp there would be short shrift for Thomas Overbury. There would
be, though Rochester in his infatuation seemed blind to the fact, as
short a shrift as the Howards could contrive for the King's minion.
In that march of inevitability which marks all real tragedy the road
that is followed forks ever and again with an 'if.' And we who, across
the distance of time, watch with a sort of Jovian pity the tragic
puppets in their folly miss this fork and that fork on their road
of destiny select, each according to our particular temperaments, a
particular 'if' over which to shake our heads. For me, in this story of
Rochester, Overbury, Frances Howard, and the rest, the point of tragedy,
the most poignant of the issues, is the betrayal by Robert Carr of
Overbury's friendship. Though this story is essentially, or should be,
that of the two women who were linked in fate with Rochester and his
coadjutor, I am constrained to linger for a moment on that point.
Public-domain text, read in full here on John Shaqi.
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