She Stoops to Conquer; Or, The Mistakes of a Night: A ComedyGoldsmith, Oliver
General
She Stoops to Conquer; Or, The Mistakes of a Night: A Comedy
Goldsmith, Oliver
Comedy plays
MISS HARDCASTLE. (Aside.) Who could ever suppose this fellow
impudent upon some occasions? (To him.) You were going to observe,
sir----
MARLOW. I was observing, madam--I protest, madam, I forget what I was
going to observe.
MISS HARDCASTLE. (Aside.) I vow and so do I. (To him.) You were
observing, sir, that in this age of hypocrisy--something about
hypocrisy, sir.
MARLOW. Yes, madam. In this age of hypocrisy there are few who upon
strict inquiry do not--a--a--a--
MISS HARDCASTLE. I understand you perfectly, sir.
MARLOW. (Aside.) Egad! and that’s more than I do myself.
MISS HARDCASTLE. You mean that in this hypocritical age there are few
that do not condemn in public what they practise in private, and think
they pay every debt to virtue when they praise it.
MARLOW. True, madam; those who have most virtue in their mouths, have
least of it in their bosoms. But I’m sure I tire you, madam.
MISS HARDCASTLE. Not in the least, sir; there’s something so
agreeable and spirited in your manner, such life and force--pray, sir,
go on.
MARLOW. Yes, madam. I was saying----that there are some occasions,
when a total want of courage, madam, destroys all the----and puts
us----upon a--a--a--
MISS HARDCASTLE. I agree with you entirely; a want of courage upon
some occasions assumes the appearance of ignorance, and betrays us when
we most want to excel. I beg you’ll proceed.
MARLOW. Yes, madam. Morally speaking, madam--But I see Miss Neville
expecting us in the next room. I would not intrude for the world.
MISS HARDCASTLE. I protest, sir, I never was more agreeably
entertained in all my life. Pray go on.
MARLOW. Yes, madam, I was----But she beckons us to join her. Madam,
shall I do myself the honour to attend you?
MISS HARDCASTLE. Well, then, I’ll follow.
MARLOW. (Aside.) This pretty smooth dialogue has done for me.
[Exit.]
MISS HARDCASTLE. (Alone.) Ha! ha! ha! Was there ever such a sober,
sentimental interview? I’m certain he scarce looked in my face the
whole time. Yet the fellow, but for his unaccountable bashfulness, is
pretty well too. He has good sense, but then so buried in his fears,
that it fatigues one more than ignorance. If I could teach him a
little confidence, it would be doing somebody that I know of a piece of
service. But who is that somebody?--That, faith, is a question I can
scarce answer. [Exit.]
Enter TONY and MISS NEVILLE, followed by MRS. HARDCASTLE and HASTINGS.
TONY. What do you follow me for, cousin Con? I wonder you’re not
ashamed to be so very engaging.
MISS NEVILLE. I hope, cousin, one may speak to one’s own relations,
and not be to blame.
TONY. Ay, but I know what sort of a relation you want to make me,
though; but it won’t do. I tell you, cousin Con, it won’t do; so I beg
you’ll keep your distance, I want no nearer relationship. [She
follows, coquetting him to the back scene.]
Public-domain text, read in full here on John Shaqi.
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