She who sleeps : $b A romance of New York and the NileRohmer, Sax
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She who sleeps : $b A romance of New York and the Nile
Rohmer, Sax
Egyptologists -- Fiction; Excavations (Archaeology) -- Egypt -- Fiction; Love stories; New York (N.Y.) -- Fiction
Jim Sakers, in appearance and in temperament, was as different from
Barry Cumberland as a Gruyère cheese is different from an ivory
Buddha. He was dark and of a lovable ugliness; practical to a degree
that his friend sometimes found irritating; invariably good-humoured;
and frankly ignorant of everything that could not be dealt with on
Wall Street. An enthusiastic sportsman to whom the Arts were an awful
mystery, he, withal, regarded the moody Barry more tenderly than
Horatio looked upon Hamlet.
Once extricated from the crossword puzzle of New York’s traffic and
clear of Hoboken’s shores, they began to make speed, Jim commenting
continuously upon sights by the way, as was his manner, Barry
answering only in monosyllables and being entirely wrapped up in his
own thoughts. Presently:
“When we get to the house,” he said, “I propose to call.”
“Cheers!” cried Jim. “I hope the Egyptian princess keeps a good
cellar. But what for?”
“To thank her for looking after me. I shall take it for granted that
she did.”
“Wait until we find the house,” Jim warned; “and then, wait until we
get in!”
Barry smiled lightly.
“Of course we shall find the house,” he asserted. “You know the way,
don’t you?”
“Absolutely,” Jim assured him, “as far as the forks. I simply couldn’t
go wrong. But from there onward, I am entirely in your hands. You say
you took the middle road?”
“Yes,” Barry nodded. “The middle one.”
He became lost in thought again, paying so little attention to his
companion’s cheery remarks that presently these ceased, as mile after
mile was left behind and New York seemed to become very remote, in the
peace of the countryside that they were traversing.
And now, undaunted, Jim began to sing, loudly.
“‘_Dear one, the moon is waiting for the sunshine_----’”
“Shut up!” Barry implored. “Don’t sing. Or, if you _must_ sing, sing
the right words. It isn’t ‘the moon’--it’s ‘the world.’”
“Oh!” Jim stared. “I don’t believe it. But, anyway, I like ‘the moon’
better.”
“The tune is all wrong as well.”
“You’re too blamed particular!” said Jim.
Engaged in this argument they came sweeping down a long, straight
road, turned sharply to the right, and Jim pulled up.
“Behold!” he cried, and pointed.
Barry could not conceal his excitement.
“Gad!” he muttered. “It looks all different, now. But, yes, that’s the
road.”
“Middle one, boss?”
“Yes.”
“Very good, boss.”
Jim grinned cheerfully and swung around into the thoroughfare
indicated.
“Tell me when to stop, boss!” he shouted. “‘_Dear one, the moon_…’”
He sang lustily, and inaccurately, for half a mile or more; until:
“Here we are! Left!” Barry shouted.
Jim obediently turned into the narrow way indicated by his companion,
raced along it, and then:
Public-domain text, read in full here on John Shaqi.
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