She who sleeps : $b A romance of New York and the NileRohmer, Sax
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She who sleeps : $b A romance of New York and the Nile
Rohmer, Sax
Egyptologists -- Fiction; Excavations (Archaeology) -- Egypt -- Fiction; Love stories; New York (N.Y.) -- Fiction
Presently the car pulled up before an ordinary-looking chop house, and
Barry jumped out, helping Aunt Micky to alight. She stared in through
the open windows, beyond which rows of tables might be seen, some
already occupied; she glanced up at the signboard and looked into the
narrow doorway.
“Hardly Ritzy,” she commented.
“Not to look at,” Barry admitted. “But the wine is _bon_; so are the
liqueurs.”
“Ah, well,” his aunt mused, “sin leads our footsteps into strange
bypaths.”
They went in. Barry had reserved a table to which a very gentlemanly
Irishman conducted them.
“Haven’t my friends arrived, Pat?” Barry inquired.
“No, Mr. Cumberland. But you are a shade early.”
Barry glanced at his watch and then at the clock.
“You are right,” he agreed. “What about two special cocktails?”
“Precisely,” his aunt inquired, ignoring all offers of assistance and
throwing her cavalry cloak across the back of a chair--“precisely what
is a ‘special cocktail’?”
“It is clearly indicated to-night,” Barry assured her.
“Then let it be brought,” said Aunt Micky.
The cocktails had just been served and Barry was studying the menu
when Jim appeared in the open doorway, staring from table to table in
quest of his party. Beside him stood a pretty girl wearing a very
modern dance frock, a fragment of silvery gauze. Barry stood up,
waving, and Aunt Micky shaded her eyes with her hand, a mannerism
indicating disapproval. She drew a deep breath as the new arrivals
approached, Jack Lorrimer observed of many observers.
“H’m,” she murmured--“silver currency coming in again. Young Lorrimer
has a dollar in front, a dollar behind and no change. Barry, the
girl’s nude!”
“Shut up, Micky!” said her embarrassed nephew. “Hello, Jack! Hello,
Jim! They are bringing your cocktails.”
When everyone was seated, Aunt Micky shaded her eyes again, surveying
Jack from shingled nut-brown hair downward to the table edge.
“Are you liking my frock,” the girl asked, “or hating it?”
“Neither,” was the reply. “I am looking for it.”
Jim applauded softly, and Jack turned to Barry for sympathy, leaning
forward so that two curly heads were very close together.
“Do _you_ see anything wrong with me?” she pleaded.
Jim watched in tragic disapproval, then rested his hand upon Aunt
Micky’s shoulder.
“Look at them!” he said--“admired, self-satisfied--pink and white.
Micky, we brunettes must hang together!”
The dinner turned out a great success.
Aunt Micky followed a routine on these occasions: drinking red wine
because of its pleasing resemblance to blood, eating a prodigious
quantity of celery, taking the blue-plate item in the menu regardless
of its constitution, and winding up with rum omelette in flames,
because it was “so hellish.”
The notorious play bored her.
“I am going home to read in bed,” she declared, as they waited outside
the theatre for the car. “I shall read _The Sorrows of Satan_, by
Marie Corelli.”
Public-domain text, read in full here on John Shaqi.
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