She who sleeps : $b A romance of New York and the Nile — John Shaqi
She who sleeps : $b A romance of New York and the NileRohmer, Sax
Science
She who sleeps : $b A romance of New York and the Nile
Rohmer, Sax
Egyptologists -- Fiction; Excavations (Archaeology) -- Egypt -- Fiction; Love stories; New York (N.Y.) -- Fiction
He wanted to argue this thing out with himself once and for all. He
wanted to know if he had been purposely mystified by the occupants of
the hillside house, or whether he was succumbing to a delusion. This
he must determine, for his highly sensitive nature demanded it. The
family physician had warned him that the blow to his skull had been a
severe one, and that he must on no account overtax his brain for at
least a year to come. Somewhat belatedly he began to take this warning
to heart.
Had it been a covert intimation that he was threatened with insanity?
The detective on duty at the corner saluted him again as he discharged
the taxi. Jim Sakers’s words returned to his mind while he fumbled for
a key. He remembered too that his father had advocated a long vacation
abroad.
What did this mean? Should he regard it as confirming his worst
theories? Or did his father suspect that there was some deep plot
afoot? Reared from childhood in an atmosphere of luxury, he had never
hitherto appreciated, in all its significance, the fact that he was
the son of a millionaire.
As he was passing the library he heard voices; one of them
unmistakable, the other deep, resonant--equally unfamiliar.
John Cumberland as a rule retired early, and Barry paused, wondering
whom this late visitor might be. Curious, he rapped and opened the
door.
He looked down the long rectangular room. The Cumberland library was
one of the acknowledged “sights” of New York, but to Barry it was a
commonplace. It was lined with relics of that wonderful civilization
which flourished under the Pharaohs. Its very atmosphere was
reminiscent of the Nile land, of the indescribable smell of Egypt.
His father was seated in the big armchair, looking up at a wall
painting from Medinet Habu. Facing him, and seated on a corner of the
library table--a favourite perch of Barry’s--was a man of arresting
appearance.
He was in dinner kit, but in lieu of the more regular black bow
displayed a stock. His hair, brushed back from a fine brow, was
silver-gray; his head leonine; the pale chiselled features were of
Moorish severity. He wore a short moustache and a small tuft beneath
his lower lip, of that kind once known as an imperial. He was built
massively, imposingly. His eyes, which at Barry’s entrance had turned
in the direction of the door, were light brown and, in their piercing
regard, resembled the eyes of an animal. He stood up, revealing his
height, which Barry estimated to be more than six feet.
“Hello, Barry!” said John Cumberland. “Glad you looked in. I should
like you to meet Mr. Danbazzar.”
Danbazzar raised his hand in a slow, majestic movement, and:
“I am delighted to meet Mr. Barry Cumberland,” he replied, and his
voice possessed a deep organ note. “But you forget, Mr.
Cumberland”--turning to the elder man--“that I lay no claim to the
title of Mister. I am Danbazzar; neither Danbazzar Esquire, Sir
Danbazzar, nor Lord Danbazzar; merely Danbazzar.”
Public-domain text, read in full here on John Shaqi.
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