She who sleeps : $b A romance of New York and the NileRohmer, Sax
Science
She who sleeps : $b A romance of New York and the Nile
Rohmer, Sax
Egyptologists -- Fiction; Excavations (Archaeology) -- Egypt -- Fiction; Love stories; New York (N.Y.) -- Fiction
Barry clenched his teeth. The shadow was gaining upon him. Oh! for a
long, straight turnpike where he could open up. But memory warned him
that there were many tortuous miles in which no such race track
offered. Now came a long sweeping curve which he recalled clearly,
tree bordered on the one side, and, on the other, outlining an upcrop
of primitive sandstone, where sparse vegetation and scattered rocks
formed an isthmus around which his route lay.
Here for a moment he could glance aside. The black curtain was still
gaining. The storm promised to win.
Into a cutting he plunged, high-banked, tree-topped, through the
blackness of which his headlights carved like a gleaming scimitar.
Some little animal shot across the blade of silver. He resigned
himself to his mood, wondering in what way he differed from his
friends, what barrier it was that would intrude at times between him
and those enjoyments for which others never lost zest.
In the games and amusements to which they devoted much of their lives
he took part; and most of the things that Barry Cumberland attempted
he did well. His sports record was good, but not excellent. He was
happy in athletic pursuits, but could never screw up any enthusiasm
for pot hunting. Cards frankly bored him. He danced well, except when
abruptly, unaccountably, his dancing mood left him and he experienced
a sudden longing for the silence of imaginary forests.
The girls about whom other men raved stirred him but slightly. They
were all too true to pattern. The thought of home life with any one of
them was definitely objectionable.
He took a sharp bend at dangerous speed, wondering if, during a
long-projected but never accomplished tour of Europe, he should meet a
girl having power to arouse that curious state of unrest which he had
sometimes noted in his friends and vaguely wished he could experience.
No doubt he was a visionary. He had often been told so. Perhaps the
influence of his own home might be to blame.
It was only reasonable to suppose that an establishment which is less
a residence than a museum of Ancient Egyptian antiquities, should
contribute something to the character of one born and reared in it.
Those almond-eyed, slender priestesses, so alluring, so aloof, had
possibly played a part in disabusing his mind of any romance in
connection with the girls of that very modern set to which he
belonged. Since childhood they had looked down upon him, from wall
paintings, vases, bas-reliefs, those cloudily robed, sinuous
Egyptians, whose long eyes were wells of feminine secrets; who had
never smoked or tasted cocktails, but who lived in a mysterious world
which for some reason he identified with the deep notes of an organ.
Yes, it was their mystery that appealed to him. Mystery was what he
sought, but never found, among the women of his acquaintance.
The road became a high ledge, a thread encircling a bowl of shadow.
The gradient grew dangerously steep, and Barry checked speed almost
unconsciously.
Public-domain text, read in full here on John Shaqi.
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