American literature -- History and criticism; English literature -- History and criticism
Little inmate, full of mirth,
Chirping on my kitchen hearth,
Wheresoe'er be thine abode,
Always harbinger of good,
Pay me for thy warm retreat,
With a song more soft and sweet;
In return thou shalt receive
Such a strain as I can give.
* * * * *
Though in voice and shape they be
Formed as if akin to thee,
Thou surpassest, happier far,
Happiest grasshoppers that are;
Theirs is but a summer song,
Thine endures the winter long,
Unimpaired, and shrill, and clear,
Melody throughout the year.
Neither night nor dawn of day
Puts a period to thy play:
Sing, then--and extend thy span
Far beyond the date of man;
Wretched man, whose years are spent
In repining discontent,
Lives not, agèd though he be,
Half a span, compared with thee.
There is in the blind beggar something of the quality of Lamb's own
life, with its inherent loneliness imposed by an ever-present grief in
the midst of London's noisy streets; and in the verses to the cricket it
is scarcely fanciful to find an image of Cowper's "domestic life in
rural leisure passed." Lamb was twenty-five when Cowper died, in the
year 1800. One is tempted to continue in the language of fable and ask
what would have happened had the city mouse allured the country mouse to
visit his chambers in Holborn or Southampton buildings. To be sure there
was no luxury of purple robe and mighty feast in that abode; but I think
the revelry and the wit, and that hound of intemperance which always
pursued poor Lamb, would have frightened his guest back to his
hiding-place in the wilderness:
... me silva cavusque
Tutus ab insidiis tenui solabitur ervo!
Public-domain text, read in full here on John Shaqi.
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