American literature -- History and criticism; English literature -- History and criticism
I hope not, said _Trim_.--You hope not! cried _Susannah_
earnestly.--The mourning ran not in _Trim's_ head, whatever it did
in _Susannah's_.--I hope--said _Trim_, explaining himself, I hope
in God the news is not true--I heard the letter read with my own
ears, answered _Obadiah_; and we shall have a terrible piece of
work of it in stubbing the Ox-moor.--Oh! he's dead, said
_Susannah_.--As sure, said the scullion, as I'm alive.
I lament for him from my heart and my soul, said _Trim_, fetching
a sigh.--Poor creature!--poor boy!--poor gentleman!
--He was alive last _Whitsontide_! said the
coachman.--_Whitsontide!_ alas! cried _Trim_, extending his right
arm, and falling instantly into the same attitude in which he read
the sermon,--what is _Whitsontide_, _Jonathan_ (for that was the
coachman's name), or _Shrovetide_, or any tide or time past, to
this? Are we not here now, continued the corporal (striking the
end of his stick perpendicularly upon the floor, so as to give an
idea of health and stability)--and are we not--(dropping his hat
upon the ground) gone! in a moment!--'T was infinitely striking!
_Susannah_ burst into a flood of tears.--We are not stocks and
stones.--_Jonathan, Obadiah_, the cookmaid, all melted.--The
foolish fat scullion herself, who was scouring a fish-kettle upon
her knees, was rous'd with it.--The whole kitchen crowded about
the corporal.
There is the true Sterne. A common happening unites a half-dozen people
in a sympathetic group, yet all the while each of them is living his
individual life. You may look far and wide, but you will find nothing
quite comparable to that fat, foolish scullion. And withal there is no
touch of cynical satire in this display of egotism, but a kindly,
quizzical sense of the way in which our human personalities are jumbled
together in this strange world. And in the end the feeling that lies
covered up in the heart of each, the feeling that all of us carry dumbly
in the inevitable presence of death, is conveyed in that supreme gesture
of Corporal Trim's, whose force in the book is magnified by the
author's fantastic disquisition on its precise nature and significance.
Public-domain text, read in full here on John Shaqi.
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