American literature -- History and criticism; English literature -- History and criticism
Even if the imagination or the conscience could lift us to this blissful
height, they would avail us little to-day; for we have put away the
imagination as one of the pleasant but unfruitful play-things of youth,
and the conscience in this age of humanitarian pity has become less than
ever a sense of man's responsibility to the supermundane powers and more
than ever a feeling of brotherhood among men. Of faith, speaking
generally, the past century had no recking, for it turned deliberately
to observe and study the phenomena of change. We call that time, which
is still our own time, the age of reason, but scarcely with justice. The
Middle Ages, despite the obscurantism of the Church, had far better
claim to that title. One needs but to turn the pages of the doctors,
even before the day of Abelard who is supposed first to have been the
champion of reason against authority, to see how profound was their
conviction that in reason might be discovered a justification of the
faith they held. And indeed Abelard is styled the champion of reason
because only with him do men begin to perceive the inability of reason
to establish faith. Better we should call ours an age of observation,
for never before have men given themselves with such complete abandon to
observing and recording systematically. By long and intent observation
of the phenomenal world the eye has discovered a seeming order in
disorder, the shifting visions of time have assumed a specious
regularity which we call law, and the mind has made for itself a home on
this earth which to the wise of old seemed but a house of bondage.
For life is but a dream whose shapes return,
Some frequently, some seldom, some by night
And some by day, some night and day: we learn,
The while all change and many vanish quite,
In their recurrence with recurrent changes
A certain seeming order; where this ranges
We count things real; such is memory's might.
Public-domain text, read in full here on John Shaqi.
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