American literature -- History and criticism; English literature -- History and criticism
From this wealth of observation and record the modern age, and
especially the century just past, has developed two fields of
intellectual activity to such an extent as almost to claim the creation
of them. Gradually through accumulated observation the nineteenth
century came to look on human affairs in a new light; like everything
else they were seen to be subject to the Heraclitean ebb and flow; and
history was written from a new point of view. We learned to regard eras
of the past as subject each to its peculiar passions and ambitions, and
this taught us to throw ourselves back into their life with a kind of
sympathy never before known. We did not judge them by an immutable code,
but by reference to time and place. Nor is this all. Within the small
arc of our observation we observed a certain regularity of change
similar to the changes due to growth in an individual, and this we
called the law of progress. History was then no longer a mere chronicle
of events or, if philosophical, the portrayal and judgment of characters
from a fixed point of view; it became at its best the systematic
examination of the causes of progress and development. And naturally
this attention to change and motion, this historic sense, was extended
to every other branch of human interest: in religion it taught
Christians to accept the Bible as the history of revelation instead of
something complete from the beginning; in literature it taught us to
portray the development of character or the influence of environment on
character rather than the interplay of fixed passions; in art it created
impressionism or the endeavour to reproduce what the individual sees at
the moment instead of a rationalised picture; in criticism it introduced
what Sainte-Beuve, the master of the movement, sought to write, a
history of the human spirit.
Public-domain text, read in full here on John Shaqi.
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