"Have you not felt at times that our ordinary conceptions of heaven itself, derived from the vague hints and Oriental imagery of the Scriptures, are sadly inadequate to our human wants and hopes? How gladly would we forego the golden streets and gates of pearl, the thrones, temples, and harps, for the sunset lights of our native valleys; the woodpaths, where moss carpets are woven with violets and wild flowers; the songs of birds, the low of cattle, the hum of bees in the apple-blossoms--the sweet, familiar voices of human life and nature! In the place of strange splendours and unknown music, should we not welcome rather whatever reminded us of the common sights and sounds of our old home?" It was eminently proper that, as the poet lay awaiting death, with his kinsfolk gathered about him, one of them should have recited the stanzas of his psalm _At Last_: When on my day of life the night is falling, And, in the winds from unsunned spaces blown, I hear far voices out of darkness calling My feet to paths unknown, Thou who hast made my home of life so pleasant, Leave not its tenant when its walls decay; O Love Divine, O Helper ever present, Be Thou my strength and stay! * * * * * I have but Thee, my Father! let Thy spirit Be with me then to comfort and uphold; No gate of pearl, no branch of palm I merit, Nor street of shining gold. Suffice it if--my good and ill unreckoned, And both forgiven through Thy abounding grace-- I find myself by hands familiar beckoned Unto my fitting place. I would not call this the highest religious poetry, pure and sweet as it may be. Something still is lacking, but to see that want fulfilled one must travel out of Whittier's age, back through all the eighteenth century, back into the seventeenth. There you will find it in Vaughan and Herbert and sometimes in Marvell--poets whom Whittier read and admired. Take two poems from these two ages, place them side by side, and the one thing needed fairly strikes the eyes. The first poem Whittier wrote after the death of his sister Elizabeth (who had been to him what Mrs. Unwin had been to Cowper) was _The Vanishers_, founded on a pretty superstition he had read in Schoolcraft: Sweetest of all childlike dreams In the simple Indian lore Still to me the legend seems Of the shapes who flit before. Flitting, passing, seen, and gone, Never reached nor found at rest, Baffling search, but beckoning on To the Sunset of the Blest. From the clefts of mountain rocks, Through the dark of lowland firs, Flash the eyes and flow the locks Of the mystic Vanishers! Now Vaughan, too, wrote a poem on those gone from him: They are all gone into the world of light, And I alone sit lingering here; Their very memory is fair and bright, And my sad thoughts doth clear.