American literature -- History and criticism; English literature -- History and criticism
Some day, no doubt, we shall have such an interwoven edition of Cowper's
prose and verse, to obtain which we would willingly sacrifice a full
third of the letters if this were necessary. Meanwhile, let us be
thankful for whatever fresh light our Olney editor has thrown on the
correspondence, and take the occasion to look a little more closely into
one of the strangest and most tragic of literary lives. William Cowper
was born at Great Berkhampstead in 1731. His father, who was rector of
the parish, belonged to a family of high connections, and his mother,
Anne Donne, was also of noble lineage, claiming descent through four
different lines from Henry III. The fact is of some importance, for the
son was very much the traditional gentleman, and showed the pride of
race both in his language and manners. He himself affected to think more
of his kinship to John Donne, of poetical memory, than of his other
forefathers, and, half in play, traced the irritability of his temper
and his verse-mongering back to that "venerable ancestor, the Dean of
St. Paul's."[2] It is fanciful, but one is tempted to lay upon the old
poet's meddling with coffins and ghastly thoughts some of the
responsibility for the younger man's nightly terrors. "That which we
call life is but _Hebdomada mortium_, a week of death, seven days, seven
periods of life spent in dying," preached Donne in his last sermon, and
an awful echo of the words might seem to have troubled his descendant's
nerves. But that is not yet. As a boy and young man Cowper appears to
have been high-spirited and natural. At Westminster School he passed
under the instruction of Vincent Bourne, so many of whose fables he was
to translate in after years, and who, with Milton and Prior, was most
influential in forming his poetical manner.
I love the memory of Vinny Bourne [he wrote in one of his
letters]. I think him a better Latin poet than Tibullus,
Propertius, Ausonius, or any of the writers in his way, except
Ovid.... He was so good-natured, and so indolent, that I lost more
than I got by him; for he made me as idle as himself. He was such
a sloven, as if he had trusted to his genius as a cloak for
everything that could disgust you in his person.... I remember
seeing the Duke of Richmond set fire to his greasy locks and box
his ears to put it out again.
Public-domain text, read in full here on John Shaqi.
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