This, then, we cannot but think, distinguishes the literary period of Shelley from our own. It distinguishes even the unquestionable treasures and masterpieces of to-day from similar treasures and masterpieces of the precedent day; even _the Lotus-Eaters_ from _Kubla-Khan_; even Rossetti's ballads from _Christabel_. It is present in the restraint of Matthew Arnold no less than in the exuberance of Swinburne, and affects our writers who aim at simplicity no less than those who seek richness. Indeed, nothing is so artificial as our simplicity. It is the simplicity of the French stage _ingenue_. We are self-conscious to the finger-tips; and this inherent quality, entailing on our poetry the inevitable loss of spontaneity, ensures that whatever poets, of whatever excellence, may be born to us from the Shelleian stock, its founder's spirit can take among us no reincarnation. An age that is ceasing to produce child-like children cannot produce a Shelley. For both as poet and man he was essentially a child. Yet, just as in the effete French society before the Revolution the Queen played at Arcadia, the King played at being a mechanic, everyone played at simplicity and universal philanthropy, leaving for most durable outcome of their philanthropy the guillotine, as the most durable outcome of ours may be execution by electricity;--so in our own society the talk of benevolence and the cult of childhood are the very fashion of the hour. We, of this self-conscious, incredulous generation, sentimentalise our children, analyse our children, think we are endowed with a special capacity to sympathise and identify ourselves with children; we play at being children. And the result is that we are not more child-like, but our children are less child-like. It is so tiring to stoop to the child, so much easier to lift the child up to you. Know you what it is to be a child? It is to be something very different from the man of to-day. It is to have a spirit yet streaming from the waters of baptism; it is to believe in love, to believe in loveliness, to believe in belief; it is to be so little that the elves can reach to whisper in your ear; it is to turn pumpkins into coaches, and mice into horses, lowness into loftiness, and nothing into everything, for each child has its fairy godmother in its own soul; it is to live in a nutshell and to count yourself the king of infinite space; it is To see a world in a grain of sand, And a heaven in a wild flower, Hold infinity in the palm of your hand, And eternity in an hour;