Animals -- Fiction; Idaho -- Fiction; Shepherds -- Fiction; Young men -- Fiction
This was the action of the deer when the wolves pressed them close,—to
jump into the river to escape. These creatures were like the deer, a
breed known to him of old. Little Death the mink had done the same
thing, the night he had been so hungry and in which the miniature slayer
had slipped between his talons. The river was always a place of refuge
for those that were afraid. Thus it was plain that if the dog and the
man feared him there was no further cause for him to be afraid of them.
He crept out boldly, a magnificent, tawny figure in the dim light, on to
the log that led down into the water. His eyes shone with blue fire.
Perhaps the dog saw him first. He swam with wide-open eyes. He had
jumped in almost opposite the little pile of driftwood where the lamb
lay and was immediately swept downstream. Hugh, however, had leaped in
farther up, and he had had a chance to work into the middle of the
current as he was carried down.
He had always been a strong swimmer, and he needed that strength now.
The water was icy cold; it gripped him with resistless strength. He
fought it with powerful strokes, but it seemed to him that he was tossed
about like a straw. Even he headed upstream and out, not hoping to make
headway but only to offset, in some degree, the incredible power of the
current. He had never done such swimming as this before. Silver Creek
was not at all like the swimming tank in his athletic club. He gave his
whole strength; and it seemed to him that he was fighting for his life.
His plan was to seize the log that extended down into the water, brace
himself while he rescued the lamb, and either climb up the log or be
carried on down and swim to the bank. He didn’t know that the log was
already occupied: that a great forest creature had come down to contest
the lamb’s life with him. He was full in the middle of the current, by
now; and then, with a powerful lunge of his body, his arms swept about
the log.
He braced himself, then turned in order to reach the lamb. He reached
for a hold higher on the log. Something brown, with extended talons,
rested upon the rough bark within a few inches of his hand, and at first
he did not understand. Then the spray cleared from his eyes, and he knew
the truth.
It was not a thing to forget: that wilderness scene in mid-stream in
which Broken Fang and this man of cities came face to face for the first
time. It made a grim and moving picture: the magnificent outline of the
great cat in silhouette against the slowly brightening eastern sky; the
lamb, struggling in the little patch of driftwood; the watching forest,
the dark river with its ivory foam; and the gray half-light of dawn
casting dimness over all. Yet there was no such folly as mistaking its
reality. The form on the log was not just a shadow, an image, a drunken
fancy. It was as real as the icy touch of the river and so near that he
could see the creature’s ears, lying flat against the savage head.
Public-domain text, read in full here on John Shaqi.
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