Sheppard Lee, Written by Himself. Vol. 2 (of 2)Bird, Robert Montgomery
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Sheppard Lee, Written by Himself. Vol. 2 (of 2)
Bird, Robert Montgomery
American fiction -- 19th century; Satire
When I opened my eyes I found that I was lying in a hovel, very mean
of appearance, yet with a certain neatness and cleanliness about it
that prevented it from looking squalid. It is true that the floor,
which was of planks, was somewhat awry and dilapidated; that the little
window, which, with the door, furnished, or was meant to furnish, its
only light, was rather bountifully bedecked with old hats and scraps
of brown paper; and that the walls of ill-plastered logs displayed
divers gleaming chinks, and vistas through them of the sunny prospects
without. Nevertheless, the place did not look amiss for a poor man,
and, in my experience as a philanthropist, I had seen hundreds much
more miserable.
An old woman sat at the fireplace, nodding over a stew, the fumes of
which were both savoury and agreeable. The old woman was, however, as
black as the outside of her stew-pan--in other words, a negress; and
this circumstance striking upon the chords of association, I began to
remember what had lately befallen me. A terrible suspicion flashed
into my mind. Had I not--but before I could ask myself the question,
my hand, which I had raised to scratch my head, came into contact with
a mop of elastic wool, such as never grew upon the scalp of a white
man. I started up in bed and looked at my hands and arms; they were of
the hue of ebony--or, to speak more strictly, of smoked mahogany. I
saw a fragment of looking-glass hanging on the wall within my reach.
I snatched it down, and took a survey of my physiognomy. Miserable
me! my _face_ was as black as my arms--and, indeed, somewhat more
so--presenting a sable globe, broken only by two red lips of immense
magnitude, and a brace of eyes as white and as wide as plain China
saucers, or peeled turnips.
"Whaw dah!" cried the old woman, roused by the noise I made; "whaw dat,
you nigga Tom? what you doin' dah? Lorra bless us! if a nigga break a
neck, can't a nigga hold-a still?"
Alas! and had my fate brought me to this grievous pass? Was there no
other situation in life sufficiently wretched, but that I must take
up my lot in the body of a miserable negro slave? How idle had been
all my past discontent! how foolish the persuasion I had indulged
five different times, that I was, on each occasion, the most unhappy
of men! I had forgotten the state of the bondman, the condition of
the expatriated African. _Now_ I was at last to learn in reality
what it was to be the victim of fortune, what to be the exemplar of
wretchedness, the true repository of all the griefs that can afflict
a human being. Already I felt, in imagination, the blow of the
task-master on my back, the fetter on my limb, the iron in my soul; and
when the old woman made a step towards me, perhaps to discover why I
made no reply to her questions, I was so prepossessed with the idea of
whips and lashes, that I made a dodge under the bedclothes, as if to
escape a thwack.
Public-domain text, read in full here on John Shaqi.
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