I make no apology for giving so full a quotation, for there is in
the narrative something so sincere and yet so curiously modern:
the whole picture is so full of sparkling bits of colour that it
is most pleasing, and we can almost see this mammoth ship with her
hefty spars and beautiful curves and “flame-coloured” sails. The
intervening space of nearly two thousand years seems to have made but
little difference in the type of skippers. I am sure that to many a
sailing man to-day the delightful little sketch of the captain of the
_Goddess Isis_ corn-carrier as “the little old man,” “a bald-pated
fellow with a fringe of curly hair” sitting at his tiller, will at
once suggest the very counterpart in the style and appearance of the
skipper of a corn-barge--“an honest fellow, and good company.” And
the account of the bad weather encountered successfully, the use of
stellar navigation, the good seamanship employed, and the proof of
the corn-ship’s seaworthiness are all too interesting to be lightly
dispensed with. In the present days of accurate charts, ingenious
nautical instruments, and big, sound ships, one is a little too apt to
imagine that the ships and the ability of their crews in ancient times
were scarcely worthy of serious consideration--deserving of little more
than ridicule. So many ill-informed artists, who have drawn on their
imagination in the past to depict what they believed to be the ships
of olden times, have been shown to be wrong and misleading, that there
has been such a reaction as to make it difficult to obtain any definite
legitimate picture in one’s mind. It is just such accounts written by
contemporaries as that of the _Goddess Isis_ that enable us once more
to see the ships of the past in their true likeness and proportions.
Public-domain text, read in full here on John Shaqi.
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