French fiction -- Translations into English; Short stories, French -- Translations into English
It was a singular face, that of the merchant--an immense skull,
polished like a knee, and surrounded by a thin aureole of white hair,
which brought out the clear salmon tint of his complexion all the more
strikingly, lent him a false aspect of patriarchal _bonhomie_,
counteracted, however, by the scintillation of two little yellow eyes
which trembled in their orbits like two louis-d’or upon quicksilver.
The curve of his nose presented an aquiline silhouette, which suggested
the Oriental or Jewish type. His hands--thin, slender, full of nerves
which projected like strings upon the finger-board of a violin, and
armed with claws like those on the terminations of bats’ wings--shook
with senile trembling; but those convulsively agitated hands became
firmer than steel pincers or lobsters’ claws when they lifted any
precious article--an onyx cup, a Venetian glass, or a dish of Bohemian
crystal. This strange old man had an aspect so thoroughly rabbinical
and cabalistic that he would have been burnt on the mere testimony of
his face three centuries ago.
“Will you not buy something from me to-day, sir? Here is a Malay kreese
with a blade undulating like flame: look at those grooves contrived
for the blood to run along, those teeth set backward so as to tear
out the entrails in withdrawing the weapon--it is a fine character of
ferocious arm, and will look well in your collection: this two-handed
sword is very beautiful--it is the work of Josepe de la Hera; and this
_colichemarde_, with its fenestrated guard--what a superb specimen
of handicraft!”
“No; I have quite enough weapons and instruments of carnage;--I want a
small figure, something which will suit me as a paper-weight; for I can
not endure those trumpery bronzes which the stationers sell, and which
may be found on everybody’s desk.”
The old gnome foraged among his ancient wares, and finally arranged
before me some antique bronzes--so-called, at least; fragments of
malachite; little Hindu or Chinese idols--a kind of poussah-toys in
jade-stone, representing the incarnations of Brahma or Vishnu, and
wonderfully appropriate to the very undivine office of holding papers
and letters in place.
I was hesitating between a porcelain dragon, all constellated with
warts--its mouth formidable with bristling tusks and ranges of
teeth--and an abominable little Mexican fetish, representing the god
Vitziliputzli _au naturel_; when I caught sight of a charming
foot, which I at first took for a fragment of some antique Venus.
It had those beautiful ruddy and tawny tints that lend to Florentine
bronze that warm, living look so much preferable to the gray-green
aspect of common bronzes, which might easily be mistaken for statues in
a state of putrefaction: satiny gleams played over its rounded forms,
doubtless polished by the amorous kisses of twenty centuries; for it
seemed a Corinthian bronze, a work of the best era of art--perhaps
molded by Lysippus himself.
Public-domain text, read in full here on John Shaqi.
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