French fiction -- Translations into English; Short stories, French -- Translations into English
I had entered, in an idle mood, the shop of one of those
curiosity-venders, who are called _marchands de bric-à-brac_
in that Parisian _argot_ which is so perfectly unintelligible
elsewhere in France.
You have doubtless glanced occasionally through the windows of some of
these shops, which have become so numerous now that it is fashionable
to buy antiquated furniture, and that every petty stockbroker thinks he
must have his _chambre au moyen âge_.
There is one thing there which clings alike to the shop of the dealer
in old iron, the wareroom of the tapestry-maker, the laboratory of
the chemist, and the studio of the painter--in all those gloomy dens
where a furtive daylight filters in through the window-shutters the
most manifestly ancient thing is dust;--the cobwebs are more authentic
than the guimpe laces; and the old pear-tree furniture on exhibition
is actually younger than the mahogany which arrived but yesterday from
America.
The warehouse of my bric-à-brac dealer was a veritable Capharnaum;
all ages and all nations seemed to have made their rendezvous there;
an Etruscan lamp of red clay stood upon a Boule cabinet, with ebony
panels, brightly striped by lines of inlaid brass; a duchess of the
court of Louis XV nonchalantly extended her fawn-like feet under a
massive table of the time of Louis XIII, with heavy spiral supports of
oak, and carven designs of Chimeras and foliage intermingled.
Upon the denticulated shelves of several sideboards glittered immense
Japanese dishes with red and blue designs relieved by gilded hatching;
side by side with enameled works by Bernard Palissy, representing
serpents, frogs, and lizards in relief.
From disemboweled cabinets escaped cascades of silver-lustrous Chinese
silks and waves of tinsel, which an oblique sunbeam shot through with
luminous beads; while portraits of every era, in frames more or less
tarnished, smiled through their yellow varnish.
The striped breastplate of a damascened suit of Milanese armor
glittered in one corner; Loves and Nymphs of porcelain; Chinese
grotesques, vases of _célandon_ and crackle-ware; Saxon and old
Sèvres cups encumbered the shelves and nooks of the apartment.
The dealer followed me closely through the tortuous way contrived
between the piles of furniture; warding off with his hand the hazardous
sweep of my coat-skirts; watching my elbows with the uneasy attention
of an antiquarian and a usurer.
Public-domain text, read in full here on John Shaqi.
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