THE DEAN’S WATCH ERCKMANN-CHATRIAN 1289 AT THE PALAIS DE JUSTICE ALPHONSE DAUDET 1319 BOUM-BOUM JULES CLARETIE 1327 THE UNKNOWN MASTERPIECE BY HONORÉ DE BALZAC [Illustration] _“The Unknown Masterpiece” is considered not only one of the finest of Balzac’s tales, but he himself considered it a valuable addition to his “Philosophical Studies.” Balzac, born at Tours, 1799, died at Paris, 1850, gives one the impression of father confessor to unfortunate women of the world and of the demi-monde--a Samuel Richardson, but with far deeper, broader sympathies. In Paris he lived a life of privation, writing volumes of unsuccessful things. The first novel that appeared under his own name was “The Last Chouan,” 1827; his first success “The Ass’s Skin,” 1830._ _The idea of combining under the general title of “Comédie Humaine” that long series of great novels, which rose to their highest level in “Eugénie Grandet,” did not occur to him until later._ [Illustration] THE UNKNOWN MASTERPIECE _TO A LORD_ BY HONORÉ DE BALZAC 1845 I _GILLETTE_ On a cold December morning in the year 1612, a young man, whose clothing was somewhat of the thinnest, was walking to and fro before a gateway in the Rue des Grands-Augustins in Paris. He went up and down the street before this house with the irresolution of a gallant who dares not venture into the presence of the mistress whom he loves for the first time, easy of access though she may be; but after a sufficiently long interval of hesitation, he at last crossed the threshold and inquired of an old woman, who was sweeping out a large room on the ground floor, whether Master Porbus was within. Receiving a reply in the affirmative, the young man went slowly up the staircase, like a gentleman but newly come to court, and doubtful as to his reception by the king. He came to a stand once more on the landing at the head of the stairs, and again he hesitated before raising his hand to the grotesque knocker on the door of the studio, where doubtless the painter was at work--Master Porbus, sometime painter in ordinary to Henri IV till Mary de’ Medici took Rubens into favor.