French fiction -- Translations into English; Short stories, French -- Translations into English
“The very same. I left you with the intention of abandoning myself to
one of those varieties of which they spoke to me as being a curiosity
even in the midst of our curious times; you wished to dissuade me
from going; a fatality drove me on. Oh! you, why did you not see it
all, you who have the knack of observation? Why were not Hoffman or
Callot there to paint the picture as the fantastic, burlesque thing
kept unrolling itself beneath my eyes? Unsatisfied and in melancholy
mood I walked away, about to quit the Opera; I came to a hall that was
overflowing and in high spirits: corridors, boxes, parterre. Everything
was obstructed. I made a tour of the room; twenty masks called me
by name and told me theirs. These were all leaders--aristocrats and
merchants--in the undignified disguise of pierrots, of postilions,
of merry-andrews, or of fishwives. They were all young people of
family, of culture, of talent; and there, forgetful of family, talent,
breeding, they were resurrecting in the midst of our sedate and serious
times a soirée of the Regency. They had told me about it, and yet I
could not have believed it!--I mounted a few steps and leaning against
a pillar, half hidden by it, I fixed my eyes on that sea of human
beings surging beneath me. Their dominoes, of all colors, their motley
costumes, their grotesque disguises formed a spectacle resembling
nothing human. The music began to play. Oh, it was then these gargoyle
creatures stirred themselves to the sound of that orchestra whose
harmony reached me only in the midst of cries, of laughs, of hootings;
they hung on to each other by their hands, by their arms, by their
necks; a long coil formed itself, beginning with a circular motion, the
dancers, men and women, stamping with their feet, made the dust break
forth with a noise, the atoms of which were rendered visible by the wan
light of the lustres; turning at ever-increasing speed with bizarre
postures, with unseemly gestures, with cries full of abandonment;
turning always faster and still faster, swaying and swinging like
drunken men, yelling like lost women, with more delirium than delight,
with more passion than pleasure; resembling a coil of the damned doing
infernal penance under the scourge of demons! All this passed beneath
my eyes, at my feet. I felt the wind of their whirling past; as they
rushed by each one whom I knew flung a word at me that made me blush.
All this noise, all this humming, all this confusion, all this music
went on in my brain as well as in the room! I soon came to the point
of no longer knowing whether that which I had before my eyes was a
dream or reality; I came to the point of asking myself whether it was
not I who was mad and they who were sane; I was seized with a weird
temptation to throw myself into the midst of this pandemonium, like
Faust through the Witches’ Sabbath, and I felt that I too, would then
have cries, postures, laughs like theirs. Oh! from that to madness
there is but one step.
Public-domain text, read in full here on John Shaqi.
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