French fiction -- Translations into English; Short stories, French -- Translations into English
So they contented themselves with tying his hands and leading him,
closely watched, to a manor on the outskirts of Nantes, which, once an
attractive country-seat, had now become a kind of fortress. Its master
was no other than the chief of the Blues, who had captured Baudelot.
This Breton, a gentleman although a Blue, had been one of the first to
share revolutionary transports. He was one of those nobles so heroic to
their own injury, who renounced in a day fortunes, coats of arms, and
their own names, forgetting both what they had promised their fathers
and what they owed to their sons, equally oblivious of past and future,
and unfortunate victims of the present. But we will not reproach them,
for either they died under the stroke of the Revolution, or lived long
enough to see that all their sacrifices were vain.
Baudelot de Dairval was confined in the donjon, or, rather, in the
pigeon-house of his conqueror. The doves had been expelled to give
place to Chouan captives. Still covered with shining slates, still
surmounted by its creaking weather-cock, this prison had retained a
calm, gracious air, and it had not been thought necessary to bar the
openings by which the pigeons came and went. Much as ever, a little
straw had been added to the usual furniture.
At first the dovecote of a country manor struck him as a novel prison.
He decided that as soon as his hands were free he would compose a
romance upon it, with a guitar accompaniment. While thus thinking,
he heard a violin and other instruments playing a joyful march. By
piling up the straw against the wall and leaning on it with his
elbow, Baudelot could look out of one of the openings. He saw a long
procession of young men and pretty women in white gowns, preceded
by village fiddlers, and all merry and joyous. As it passed at the
foot of the dovecote, a pretty girl looked up attentively. She was
fair, slender and dreamy-looking. Baudelot felt that she knew of the
prisoner, and he began to whistle the air of Richard, “In an Obscure
Tower,” or something of the kind. For this young man was versed in all
kinds of combats and romances, equally skilful with sword and guitar,
an adept at horsemanship, a fine dancer, a true gentleman of wit and
sword, such as are manufactured no more.
The wedding procession passed, or, at least, if not a wedding it was a
betrothal, and Baudelot stopped singing. He heard a sound at his prison
door; some one entered.
Public-domain text, read in full here on John Shaqi.
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