French fiction -- Translations into English; Short stories, French -- Translations into English
To return to our story. The betrothal ball had begun. The fiancée
was Mademoiselle de Mailly, grand-niece of the beautiful De Mailly so
beloved of Madame de Maintenon. She was a sad young blonde, evidently
unhappy at dancing and marrying in that period of proscription. She
was one of those strong spirits which seem weak until a certain fatal
hour has sounded, when apparent weakness becomes invincible energy. The
heroine replaces the little girl, and the ruins of a whole world could
not intimidate her, who, until then, trembled at the least sign of
displeasure.
Eleanor de Mailly was then very dejected. The friends of her childhood
imitated her silence and despondency. Never before was Bretagne feast
so gloomy. Nothing went as it should, neither dance nor dancers, and
there was general lack of ease. The young men did not even try to
please the pretty girls, and when the ball had scarcely begun every one
wished it would end.
Suddenly the door into the great hall opened, and every one looked that
way. There entered a pretty court gentleman, a lost type, a handsome
officer, smiling and well dressed. He had the dress and elegant bearing
of court. This apparition was in charming contrast with the dulness
of the gathering. The men and women who were bluest at heart were
delighted to find with them this remnant of the old French society so
suddenly blotted out, alas! And, indeed, it was charming to see this
young proscript, whom death on the morrow awaited, entering into this
republican company, recalling its gaiety, and thinking of nothing but
to be agreeable and please the ladies, faithful to the end to his
calling of French gentleman!
His entrance took only a minute. Once in the room, he gave himself
up to the ball and went to invite the first woman he saw. It was the
blond girl whom he had noticed in the garden. She accepted without
hesitation, remembering that republican death, the most unpleasant of
all deaths, was offering her partner a bloody hand. When the men saw
Baudelot dancing, doomed as he was, they blushed at their own lack of
ardor. All the women were invited to dance at once, and accepted in
order to see Baudelot nearer. So, thanks to the victim, the ball grew
really gay.
Baudelot heartily shared this convulsive pleasure. His smile was not
forced; his dance was light and graceful. He alone was genuinely
entertained. The others amused themselves in very terror, and became
almost delirious at sight of this beautiful youth, who was king of the
fête far more than the bridegroom. Animated by such passion, terror,
and bloody interest, the ball took possession of all. Baudelot was
everywhere, saluting old ladies like the King of France, and young
ones with joy and admiration, talking to men in the mad language of
youth and of nature mixed with wit.
Public-domain text, read in full here on John Shaqi.
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