French fiction -- Translations into English; Short stories, French -- Translations into English
A judicial sale had stripped them of the most luxurious furniture of
other days, and they had arranged their new little salon of recluses
with objects a little incongruous: relics of ancestors, old things
brought to light from the garret, the reserves of the house. But they
fell in love with it at once, this salon so humble, which must now for
years to come, on winter evenings, reunite all three around the same
fire and around the same lamp. One found it comfortable there; it had
an air cozy and intimate. One felt a little cloistered there, it is
true, but without melancholy, for the windows, draped with simple
muslin curtains, looked out on to a sunny court, whose walls, 'way at
this farther end, were adorned with honeysuckle and roses.
And already were they forgetting the comfort, the luxury of other
times, happy in their modest salon, when one day a communication was
brought to them which left them in mournful consternation: the neighbor
was about to raise his apartment two stories; a wall was going to rise
there, in front of their windows, to steal away the air, to hide the
sun.
And no means, alas! to turn aside that misfortune, more intimately
cruel to their spirits than all the preceding disasters of fortune. To
buy that house from their neighbor, a thing that had been easy at the
time of their past affluence, was no longer to be dreamed of! Nothing
to do, in their poverty, but to bow their heads.
* * * * *
And so the stories began to mount, line upon line; with anxiety they
watched them grow; a silence of grief reigned among them, in the little
salon, the depth of their melancholy measured day by day by the height
of that obscuring object. And to think that that thing there, higher
and still higher, would soon replace the background of blue sky or
golden clouds, against which in days gone by the wall of their court
trailed off in its network of branches!
In one month the masons had achieved their work: it was a glazed
surface in freestone, which was next painted a grayish white,
resembling almost a twilight sky of November, perpetually opaque,
unchangeable and dead; and in the summers following the rose trees,
the bushes of the court, took on their green again more palely in its
shadow.
Into the salon the warm suns of June and July still penetrated, but
more laggardly in the morning, fleeing more hurriedly in the evening;
the twilights of autumn fell one hour earlier, bringing abruptly down
the dull, chill melancholy.
* * * * *
Public-domain text, read in full here on John Shaqi.
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