French fiction -- Translations into English; Short stories, French -- Translations into English
I seated myself at the piano and played--and I played without stopping.
I played everything that I could remember, for striking upon the
little black and white keys soothed my nerves a little. Ah, you want
some music! Well, listen. Take some Massenet, a little Mozart, some
Serpette, some Wagner, and some Beethoven, some Lecocq, and some
Berlioz, some Tchaikovsky, and some Nimporteki, one after another,
haphazard, pell-mell; one hour and three-quarters at the piano without
stopping. After which I turned round and looked at my auditors.
They resembled a plantation after a hail-storm--they were simply
annihilated. They took immediate advantage of the lull in the storm
and fled. I was still caressing the keys with my right hand, and they
trembled lest I should begin again. In a few minutes the drawing-room
was empty.
Mama came toward me:
"Will you tell me now, Mademoiselle--"
But I stopped her short.
"Listen, mother. You know that I am usually very amiable and seldom
nervous, but this evening I am very nervous. Don't worry me, please. We
will talk to-morrow as much as you like."
And I ran lightly up to my room.
This morning, on coming down to breakfast, I expected to find my
parents with long faces, but oh, what a surprise! they smiled upon me,
they kissed me, and were as sweet as could be.
The key to this mystery? It is this: Papa rejoined the baron at the
club last night about midnight, and Monsieur de Nivert said to him:
"My dear Givernay, your daughter is adorable! You will, I hope, permit
me to call upon the ladies again as soon as possible."
But what is even more surprising is, that an hour before breakfast a
letter came from Madame Salandier, in which that former chestnut vender
declared that "her son had been deeply impressed by the wit and grace
of Mademoiselle Juliette," etc., and finally asked if my mother could
receive her Monday to have a serious talk with her.
My friend Pepita was quite right when she said:
"Little Juliette, there are two classes of men that you must treat
insolently in order to make them respect you--servants and suitors."
THE SIGN OF THE KEY AND THE CROSS
BY HENRI DE RÉGNIER
[Illustration]
Public-domain text, read in full here on John Shaqi.
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