French fiction -- Translations into English; Short stories, French -- Translations into English
His first care was to assume a monastic frock, certain with this attire
to penetrate everywhere, through half-opened doors as well as through
the fissures of conscience, and Dom Ricard helped him to the best of
his power. For a while his researches were without result; but aided by
the incognito of his costume and his apparent calling, his inquiries
were patient and diverse. He hovered about the d'Heurteleure house,
scrutinized the people and the habits, studied the life. He listened to
and weighed all the still vivacious rumors. In vain. He wished to see
Madame d'Heurteleure. He was told that she was ill. Every day he passed
the house; following the street which rises around the sub-basement,
he reached the front, pausing sometimes to slake his thirst at the
fountain. Returning, as he descended the steps, he examined the
enormous foundations of stone and solid rock, longing to apply his
ear and listen to their mystery, for it seemed to him that the flanks
of the old castle contained the fantom of the secret, which he had
come to evoke from silence before it passed into oblivion. At last,
discouraged, he was on the point of giving up. He would have taken
leave of Dom Ricard but for the old monk's urgent advice to remain.
The venerable prior enjoyed the society of this sheep, so dissimilar
to the members of the flock which his wooden cross conducted in the
monotonous paths of the Order.
One day toward five o'clock in the afternoon, Monsieur d'Amercœur
went out by the old portal and strolled amid the tall grasses of the
avenue. The moment was melancholy and grandiose; the trees threw their
shadows across the funereal path, the lizards ran over the warm stones
of the antique tombs and in and out of their fissures. With one hand
Monsieur d'Amercœur held up the long monk's frock, with the other he
held the key to open the heart-shaped lock of the medicinal garden,
where he loved to wander. He wished to visit it once more before he
went away, to hear once more the soles of his sandals scraping over the
gravel, while his frock brushed the borders of boxwood. The symmetry
of the plots pleased him; their squares contained delicate plants and
curious flowers; little pools nourished aquatic specimens which plunged
their roots into the water, flowered and mirrored their bloom. At the
intersection of the paths stood porcelain urns painted with emblems
and pharmaceutical designs, with serpents twisted about the handles,
and these urns contained varieties rare and precious. Above the walls
waved the tops of the poplars; from the kitchen gardens off to one
side, separated by high green trellises, came the sound of a rake, the
striking of a spade against a watering can, the little sound of shears
clipping the young shoots; in here all was silence; a flower bent,
flexible, under the weight of an insect, swallows darted about; dragon
flies flitted across the greenish water; heavy plants and delicate
vines twined and intertwined.
Public-domain text, read in full here on John Shaqi.
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