It was just at the new moon. Coqueville, thinking it had blown out its candle, had abandoned itself to the darkness. Then the day dawned; and now the sun was flaming, a sun which fell perpendicularly on the sleepers, powerless to make them open their eyelids. They slept rudely, all their faces beaming with the fine innocence of drunkards. The hens at early morning must have strayed down to peck at the casks, for they were drunk; they, too, sleeping on the sands. There were also five cats and five dogs, their paws in the air, drunk from licking the glasses glistening with sugar. For a moment M. Mouchel walked about among the sleepers, taking care not to step on any of them. He understood, for at Grandport they, too, had received casks from the wreck of the English ship. All his wrath left him. What a touching and moral spectacle! Coqueville reconciled, the Mahés and the Floches sleeping together! With the last glass the deadliest enemies had embraced. Tupain and Fouasse lay there snoring, hand in hand, like brothers, incapable of coming to dispute a legacy. As to the Rouget household, it offered a still more amiable picture, Marie slept between Rouget and Brisemotte, as much as to say that henceforth they were to live thus, happy, all the three. But one group especially exhibited a scene of family tenderness. It was Delphin and Margot; one on the neck of the other, they slept cheek to cheek, their lips still opened for a kiss. At their feet the Emperor, sleeping crosswise, guarded them. Above them La Queue snored like a father satisfied at having settled his daughter, while the Abbé Radiguet, fallen there like the others, with arms outspread, seemed to bless them. In her sleep Margot still extended her rosy muzzle like an amorous cat who loves to have one scratch her under the chin. The fête ended with a marriage. And M. Mouchel himself later married the Widow Dufeu, whom he beat to a jelly. Speak of that in Lower Normandy, they will tell you with a laugh, "Ah! yes, the fête at Coqueville!" FOOTNOTES: [1] Naval term signifying a rickety old concern. [2] Watchman. [3] Primed for the event. THE LOST CHILD BY FRANÇOIS ÉDOUARD JOACHIM COPPÉE [Illustration] _François Coppée, Poet of the Humble, was born at Paris in 1842. His first collection of poems was called "Le Reliquaire," 1866, and already exhibited to an astonishing degree the full equipment of a poet, much as Keats did in his first work. But Coppée's great reputation began to grow from the date of "Passant," 1869, exquisite comedies in verse, and "Le Luthier de Crèmone," an agreeable and touching little piece, and his brilliantly written romantic dramas, full of fine bursts of eloquence._