Friar Alexander painted fine miniatures, wherein one could see the Queen of Heaven seated upon the throne of Solomon, at the foot of which four lions kept vigil. Around her haloed head fluttered seven doves, which are the seven gifts of the Holy Spirit: gifts of fear, piety, science, might, counsel, intelligence, and wisdom. She had for companions six golden-haired Virgins: Humility, Prudence, Retirement, Respect, Virginity, and Obedience. At her feet two small figures, nude and quite white, were standing in a suppliant attitude. They were souls who implored her all-powerful intercession for their salvation--and certainly not in vain. On another page Friar Alexander represented Eve gazing upon Mary, so that thus one might see at the same time the sin and the redemption, the woman humiliated and the Virgin exalted. Furthermore, in this book one might admire the Well of Living Waters, the Fountain, the Lily, the Moon, the Sun, and the closed Garden which is spoken of in the Canticle, the Gate of Heaven and the Seat of God, and there were also several images of the Virgin. Friar Marbode was, similarly, one of the most affectionate children of Mary. He carved images in stone without ceasing, so that his beard, his eyebrows, and his hair were white with dust, and his eyes were perpetually swollen and tearful; but he was full of strength and joy in his advanced age, and, visibly, the Queen of Paradise protected the old age of her child. Marbode represented her seated on a bishop’s throne, her brow encircled by a nimbus whose orb was of pearls, and he took pains that the folds of her robe should cover the feet of one of whom the prophet said: “My beloved is like a closed garden.” At times, also, he gave her the features of a child full of grace, and she seemed to say: “Lord, thou art my Lord!”--“_Dixi de ventre matris meæ: Deus meus es tu._” (Psalm 21, 11.) They had also in the monastery several poets, who composed, in Latin, both prose and hymns in honor of the most happy Virgin Mary, and there was even found one Picardian who set forth the miracles of Our-Lady in ordinary language and in rhymed verses. III. Seeing such a concourse of praises and such a beautiful in-gathering of works, Barnabas lamented to himself his ignorance and his simplicity. “Alas!” he sighed as he walked along in the little garden of the convent, “I am very unfortunate not to be able, like my brothers, to praise worthily the Holy Mother of God to whom I have pledged the tenderness of my heart. Alas! Alas! I am a rude and artless man, and I have for your service, Madam the Virgin, neither edifying sermons, nor tracts properly divided according to the rules, nor fine paintings, nor statues exactly sculptured, nor verses counted by feet and marching in measure. I have nothing, alas!” He moaned in this manner and abandoned himself to sadness.