Russian fiction -- Translations into English; Short stories, Russian -- Translations into English
Akaki Akakievich felt unhappy because he had come precisely at the
moment when Petrovich was angry; he preferred to deal with Petrovich
when that individual was somewhat discouraged, or, as his wife
expressed it, when “he had sunk down with brandy, the one-eyed demon!”
In such a condition Petrovich, as a rule, readily came down in price,
and thanked you profusely into the bargain. Afterwards, it is true,
his wife would visit the customer, saying, with weeping eyes, that
her husband had been drunk, and had charged too cheaply. Well, you
would add a ten-copeck piece, and have the best of it at that. On the
present occasion, however, Petrovich to all appearances was sober, and
therefore gruff, uncommunicative, and in a condition to demand the
devil only knows what a price! Akaki Akakievich felt this, and would
gladly have beat a retreat, but it was too late. Petrovich had already
fixed his one eye intently upon him, and Akaki Akakievich greeted him
rather unwillingly:
“How are you, Petrovich?”
“And how are you, sir?” returned Petrovich, and slanted his gaze
towards the hands of Akaki Akakievich, in order to see what sort of
booty he had brought.
“Ah--here I am to you, Petrovich, this----”
It should be noted that Akaki Akakievich expressed himself chiefly by
means of prepositions, adverbs, and particles of speech which have no
meaning whatsoever. And if the matter was very difficult, he was in
the habit of not completing his phrases, so that very often when his
sentence began with the words, “This, in fact, is quite----” nothing
would come of it, and he himself would forget to continue, thinking he
had said what he had to say.
“Well, what is it?” asked Petrovich, and at the same time surveyed with
his one eye the entire uniform from the collar to the cuffs, the back,
the coat-flaps, and the button-holes; they were all familiar to him,
for they were his own work. Such is the tailor’s habit; it is the first
thing he does upon meeting one.
“Well, I here--this, Petrovich--about the cloak--the cloth, you see,
everywhere in other places, is quite strong--it is a trifle dusty, and
looks old, but it is new, only here in one place, just a little on the
back, and a trifle too on the shoulder--bit worn through, and on this
shoulder a bit--do you see?--and that’s all. Not much to do----”
Public-domain text, read in full here on John Shaqi.
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