Russian fiction -- Translations into English; Short stories, Russian -- Translations into English
The Student remembered that when he left the house his mother sat
in the hall, barefooted, and cleaned the samovar; and his father
lay upon the stove and coughed; and because it was Good Friday
nothing was being cooked at home, though he was tortured with
desire to eat. And now, shivering with cold, the Student reflected
that just the same icy wind blew in the reign of Rurik, in the
reign of Ivan the Terrible, and in the reign of Peter the Great;
and that there was just the same gnawing hunger and poverty, just
the same dilapidated thatched roofs, just the same ignorance, the
same boredom with life, the same desert around, the same darkness
within, the same sense of oppression--that all these terrors were
and are and will be, and that, though a thousand years roll by,
life can never be any better.
Could anything be more pitiful--and more hopeless! And yet it was not
the pity of it that Chekhov was picturing. It was the fatalism, the
mockery, the uselessness of struggle, the satire of even complaining,
that seemed to him to demand a voice. All contemporary life was
gray. To him it was a silly thing to seek to idealize it. The only
course was to view things as they are--the venom, the scurrility, the
disenchantment, the heart-break, the hunger, the chill of soul and
body, were real; then why delude self by renaming them, for alter
them one could not! Why struggle when inertia accomplished just as
much--that is to say, nothing! Why dream when the visions brought one
no nearer light than did waking! Again and again his characters set out
cheered by hopes and warmed by illusions, but one by one they return,
hardened, dulled, disenchanted. But even this experience is not worth
fretting about. The gaunt, wild-eyed men, the flat, empty-breasted
women, are products of the Russian system, so why should they aspire
to the unattainable? Let them be indifferent, for that is the surest
anæsthetic.
But in all this one feels the terrible arraignment of the
god-of-things-as-they-are, and no blame for the individual. Chekhov
doubtless pitied men, but he excoriated Russian society. If he laughed
at misery, it was that misery might not crush out the very life. If he
preached indifferentism, it was that the Juggernaut of society should
not pulverize those over whom its wheels must surely pass.
Public-domain text, read in full here on John Shaqi.
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