Russian fiction -- Translations into English; Short stories, Russian -- Translations into English
Father Ignatius himself directed the funeral. His wife was not present
in church, for at the news of Vera’s death she was prostrated by a
stroke. She lost control of her feet, hands, and tongue, and when the
church bells rang out she lay motionless in the half-darkened room. She
heard the people intone the chants as they issued out of church and
passed the house, and she made an effort to raise her hand to make the
sign of the cross, but her hand refused to obey; she wished to say,
“Farewell, Vera!” but the tongue lay in her mouth huge and heavy. And
her attitude was so calm that it gave one an impression of restfulness,
or of sleep. Only, her eyes remained open.
At the funeral, in church, were many people who knew Father Ignatius,
and many strangers. All bewailed Vera’s terrible death, and tried to
detect in the movements and voice of Father Ignatius tokens of a deep
sorrow. They did not love Father Ignatius, because of his severity and
proud manners, his scorn of sinners, his unforgiving spirit, his envy
and covetousness, his habit of utilizing every opportunity to extort
money from his parishioners. They all wished to see him suffer, to see
his spirit broken, to see him conscious in his two-fold guilt for the
death of his daughter--as a cruel father and a bad priest--incapable of
preserving his own flesh from sin. They cast searching glances at him,
and he, feeling these glances directed toward his back, made efforts
to hold erect its broad and strong expanse, and his thoughts were not
concerning his dead daughter, but concerning his own dignity.
“A hardened priest!” with a shake of his head said Karzenoff, a
carpenter, to whom Father Ignatius owed five rubles for frames.
And thus, hard and erect, Father Ignatius reached the burial-ground;
and in the same manner he returned. Only at the door of his wife’s
chamber did his backbone relax a little, but this may have been due
to the fact that the height of the door was insufficient to admit
his tall figure. The change from broad daylight made it hard for him
to distinguish the face of his wife, but, after scrutiny, he was
astonished at its calmness, and because the eyes showed no tears. And
there was neither anger nor sorrow in the eyes--they were dumb, though
they kept silent with difficulty, reluctantly, as did the entire round
and helpless body that pressed against the feather bedding.
“Well, how do you feel?” inquired Father Ignatius.
But the lips were dumb; the eyes too were silent. Father Ignatius laid
his hand on her forehead; it was cold and moist, and Olga Stepanovna
did not show in any way that she had felt the contact of the hand.
When Father Ignatius removed his hand there gazed at him, immobile, two
deep gray eyes, from the dilated pupils seeming almost entirely dark,
and there was neither sadness in them nor anger.
“I am going into my own room,” said Father Ignatius, who began to feel
cold and terror.
Public-domain text, read in full here on John Shaqi.
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