Shorter novels, vol. 3 : $b Eighteenth century — John Shaqi
Shorter novels, vol. 3 : $b Eighteenth centuryJohnson, Samuel
General
Shorter novels, vol. 3 : $b Eighteenth century
Johnson, Samuel
English fiction -- 18th century
Among the artists that had been allured into the Happy Valley, to labour
for the accommodation and pleasure of its inhabitants, was a man eminent
for his knowledge of the mechanic powers, who had contrived many engines
both of use and recreation. By a wheel which the stream turned, he
forced the water into a tower, whence it was distributed to all the
apartments of the palace. He erected a pavilion in the garden, around
which he kept the air always cool by artificial showers. One of the
groves, appropriated to the ladies, was ventilated by fans, to which the
rivulet that run through it gave a constant motion; and instruments of
soft music were placed at proper distances, of which some played by the
impulse of the wind, and some by the power of the stream.
This artist was sometimes visited by Rasselas, who was pleased with
every kind of knowledge, imagining that the time would come when all his
acquisitions should be of use to him in the open world. He came one day
to amuse himself in his usual manner, and found the master busy in
building a sailing chariot; he saw that the design was practicable upon
a level surface, and with expressions of great esteem solicited its
completion. The workman was pleased to find himself so much regarded by
the prince, and resolved to gain yet higher honours. “Sir,” said he,
“you have seen but a small part of what the mechanic sciences can
perform. I have been long of opinion, that instead of the tardy
conveyance of ships and chariots, man might use the swifter migration of
wings; that the fields of air are open to knowledge, and that only
ignorance and idleness need crawl upon the ground.”
This hint rekindled the prince’s desire of passing the mountains; having
seen what the mechanist had already performed, he was willing to fancy
that he could do more; yet resolved to inquire further, before he
suffered hope to afflict him by disappointment. “I am afraid,” said he
to the artist, “that your imagination prevails over your skill, and that
you now tell me rather what you wish, than what you know. Every animal
has his element assigned him; the birds have the air, and man and beasts
the earth.” “So,” replied the mechanist, “fishes have the water, in
which yet beasts can swim by nature, and men by art. He that can swim
needs not despair to fly; to swim is to fly in a grosser fluid, and to
fly is to swim in a subtler. We are only to proportion our power of
resistance to the different density of matter through which we are to
pass. You will be necessarily upborn by the air, if you can renew any
impulse upon it faster than the air can recede from the pressure.”
“But the exercise of swimming,” said the prince, “is very laborious; the
strongest limbs are soon wearied: I am afraid the act of flying will be
yet more violent; and wings will be of no great use, unless we can fly
further than we can swim.”
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