I turn first to Mr. Huyshe’s second letter, and the drawing that
accompanies it; but before entering into any examination of the theory
contained in each, I think I should state at once that I have absolutely
no idea whether this gentleman wears his hair long or short, or his cuffs
back or forward, or indeed what he is like at all. I hope he consults
his own comfort and wishes in everything which has to do with his dress,
and is allowed to enjoy that individualism in apparel which he so
eloquently claims for himself, and so foolishly tries to deny to others;
but I really could not take Mr. Wentworth Huyshe’s personal appearance as
any intellectual basis for an investigation of the principles which
should guide the costume of a nation. I am not denying the force, or
even the popularity, of the ‘’Eave arf a brick’ school of criticism, but
I acknowledge it does not interest me. The gamin in the gutter may be a
necessity, but the gamin in discussion is a nuisance. So I will proceed
at once to the real point at issue, the value of the late
eighteenth-century costume over that worn in the second quarter of the
seventeenth: the relative merits, that is, of the principles contained in
each. Now, as regards the eighteenth-century costume, Mr. Wentworth
Huyshe acknowledges that he has had no practical experience of it at all;
in fact he makes a pathetic appeal to his friends to corroborate him in
his assertion, which I do not question for a moment, that he has never
been “guilty of the eccentricity” of wearing himself the dress which he
proposes for general adoption by others. There is something so naive and
so amusing about this last passage in Mr. Huyshe’s letter that I am
really in doubt whether I am not doing him a wrong in regarding him as
having any serious, or sincere, views on the question of a possible
reform in dress; still, as irrespective of any attitude of Mr. Huyshe’s
in the matter, the subject is in itself an interesting one, I think it is
worth continuing, particularly as I have myself worn this late
eighteenth-century dress many times, both in public and in private, and
so may claim to have a very positive right to speak on its comfort and
suitability. The particular form of the dress I wore was very similar to
that given in Mr. Godwin’s handbook, from a print of Northcote’s, and had
a certain elegance and grace about it which was very charming; still, I
gave it up for these reasons:—After a further consideration of the laws
of dress I saw that a doublet is a far simpler and easier garment than a
coat and waistcoat, and, if buttoned from the shoulder, far warmer also,
and that tails have no place in costume, except on some Darwinian theory
of heredity; from absolute experience in the matter I found that the
excessive tightness of knee-breeches is not really comfortable if one
wears them constantly; and, in fact, I satisfied myself that the dress is
not one founded on any real principles. The broad-brimmed hat and loose
Public-domain text, read in full here on John Shaqi.
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