Shoulder-Straps: A Novel of New York and the Army, 1862Morford, Henry
History
Shoulder-Straps: A Novel of New York and the Army, 1862
Morford, Henry
United States -- History -- Civil War, 1861-1865 -- Fiction
"Pshaw!" she said, as naturally as if really vexed. "That piece is very
difficult. I thought that I had mastered it, a dozen times, yet here it
is bothering me again. Never mind!--I know what I _can_ play--something
that you like, or if you do not, you should!" And very much to
Crawford's delight, for she did not often sing, though she frequently
_hummed_,--she broke out with voice and instrument into that finest,
though worst-hackneyed, of modern love-ballads--"Ever of Thee." There
are unaccountable fancies, in music as well as in personal regard, and
one piece will sometimes make itself the very key-note of a human heart,
without being in itself so pre-eminently beautiful as to command that
distinction. Crawford had before many times heard Josephine Harris
humming that air, or touching it lightly on the keys of the piano, but
he had never before heard her _sing_ it. Before half of the first stanza
was finished, he knew that it supplied to her a need in music that all
the compositions of all the great masters would fail to fill; and before
she had finished the last, he believed that some painful secret of her
young life must be bound up in it. He was the more painfully confirmed
in that belief, when he saw her rise from the piano the moment after she
had concluded the song, and dash her hand to her eyes with the
unmistakeable gesture of wiping away a tear.
"Joe--dear Joe," he said, "come here a moment."
She crossed the room at once and stood beside him. He held out his hand
to her, and she took it as a sister might have taken that of a dearly
beloved brother. There was nothing of heat or tremor in the touch,
though there was everything of kindness. Absorbed in something else,
both had for the moment forgotten the feeling before predominant--Crawford
his sickness and crippled condition, and Joe Harris her anxieties and
her plans with reference to him.
"Josephine Harris," he said, very kindly, almost tenderly, "answer me
one question, as candidly as it is asked. Will you?"
"You could not ask me an improper question," she replied, "and so I
could have no reason for refusing to answer you. I will."
"You have been singing 'Ever of Thee,'" he went on. "Your whole heart
was in it when you sung, and when you stopped your voice was broken and
your eyes were full of tears. Tell me--is there a sad secret of your
life connected with that song? Consider me your brother, and do not be
afraid or ashamed to answer me."
"Richard Crawford, I _do_ consider you as a brother," the young girl
replied--"a _dear_ brother, in whom I would confide as in one of my own
blood. I mean to prove to you, some day, what a true sister I am. I am
neither afraid or ashamed to answer your question. I have no grief or
sad memory connected with 'Ever of Thee,' any more than with any other
sadly beautiful piece of music with words of the same character."
Public-domain text, read in full here on John Shaqi.
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