Siam : The Land of the White Elephant as It Was and IsBacon, George B. (George Blagden)
History
Siam : The Land of the White Elephant as It Was and Is
Bacon, George B. (George Blagden)
Thailand -- Description and travel; Thailand -- History
"The grandest and most characteristic pagoda is on the right bank,
surrounded by a fine and verdant wood. It rises amidst a cluster of
small towers which command a central pyramid three hundred feet high.
This is at the base in the form of the lower part of a cone, with one
hundred and fifty steps; then it becomes a six-sided tower with dormer
windows supported by three white elephants' trunks; the graceful spire
then rises from a nest of turrets, and shoots upward like a single
column rounded off into a cupola at the summit; from thence a bronze
gilt arrow extends twenty crooked arms that pierce the clouds. When
lighted up by the rays of the sun it all becomes one mass of brilliancy;
the enamelled colors of flaming earthenware, the coating of thousands of
polished roses standing out in the alabaster, give to this pagoda, with
its pure and brilliant architecture unknown under any other sky, the
magical effect of a dream with the colossal signs of reality.
"As we approached it, gliding slowly along in a gondola against the
impetuous current of the river, the promontory looked like an entire
town, a sacred town of irregular towers, crowded kiosques, painted
summer-houses, colonnades and statues of pink marble and red porphyry.
But on landing we had to pass the ditches and shallows which surround
the sacred ramparts, where, walking with measured steps, was a whole
population of men, with heads and eyebrows shaved, and whose dress was a
long saffron-colored Roman toga. These were the 'talapoins,' or Buddhist
priests. In one hand they hold an iron saucepan, and in the other the
'talapat,' a great fan of palm-leaves, the distinguishing sign of their
rank. The lanes they live in are horribly dirty, and their houses are
huts built of dirty planks and bricks, which are falling to pieces. One
could imagine them to be the foul drains of the porcelain palaces which
touch them, luckily hidden by bowers of luxuriant trees. More than seven
hundred talapoins or 'phras' looked at us as we passed, with an
indifference that bordered on contempt. And when we saw the sleepy and
besotted priests of Buddha, who looked like lazy beggars, and the twelve
or fifteen hundred ragged urchins who surrounded them in the capacity of
choristers, and who grow up in the slums together with groups of geese,
pigs, chickens, and stray dogs, it seemed a menagerie of mud, dirt, and
vermin belonging to the monastery; and we could not help noticing the
remarkable contrast which exists between the fairy-like appearance of
the temple as seen from the town, and the horrible condition of the
hundreds of priests who serve it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account