Siam : The Land of the White Elephant as It Was and IsBacon, George B. (George Blagden)
History
Siam : The Land of the White Elephant as It Was and Is
Bacon, George B. (George Blagden)
Thailand -- Description and travel; Thailand -- History
"We only had to go up a few steps to pass from the dirty huts to
marble terraces. We scaled the great pyramid as high as we could go; no
such easy matter beneath a scorching sun which took away our strength,
and blinded by the dazzling whiteness of the stone-work. But a panorama
of the whole town was now laid before us, with the windings of the
river, the royal palaces, the eleven pagodas in the first enclosure, the
two and twenty in the second, and some four hundred porcelain towers and
spires, looking as though planted in a mound of verdure formed by the
masses of tropical vegetation. In the symmetrical colonnades which we
visited there are hundreds of altars, decorated with millions of
statuettes of Buddha, in gold, silver, copper, or porphyry. On the left
side is a very large temple with a five-storied roof in blue, green, and
yellow tiles, and dazzling walls. A double door of gigantic size, all
lacker-work inlaid with mother-o'-pearl, opened to us, and we were in
the presence of a Buddha of colored stone-work. He was seated on a
stool, nearly fifty feet high, his legs crossed, a pointed crown upon
his head, great white eyes, and his height was nearly forty feet. This
deified mass, altogether attaining to the height of ninety feet, is the
only thing that remains unmoved at the sound of more than fifty gongs
and tom-toms, which the bonzes beat with all their strength. Incense
burns in bronze cups, and a ray of light penetrating the window strikes
upon five rows of gilded statuettes which, in a body of two or three
hundred, crouch at the feet of the great god, and baskets of splendid
fruit are offered to them: you can imagine who eats it. Suits of armor
are fixed against the walls, and at certain distances the seven-storied
umbrella hangs like a banner. As for the bas-reliefs, their description
would take a whole volume; they represent all the tortures of the
Buddhist hell. I shuddered as I looked on these wretched creatures, some
fainting away, thrusting out their tongues, which serpents devoured, or
picking up an eye torn out by the claw of an eagle, twisting round like
tee-totums, or eagerly devouring human brains in the split skull of
their neighbor. On the other side of these walls there are colored
frescoes. The illustrations extend into a whole world of detail of the
Buddhist religion, which varies in every part of Asia and is so
impossible to separate from tradition, and so contradictory in its
laws."
[Illustration: PORTICO OF THE AUDIENCE HALL AT BANGKOK.]
Public-domain text, read in full here on John Shaqi.
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