“No, no,” she said, “I did not mean that. What is it to do? They are
relations of relations of my husband’s. They knew our name and address
in Rome and, having no other friends, they came to us. They arrived
yesterday. We have taken the furniture out of one of our rooms, borrowed
a few beds, and done what we could to make them comfortable. Poor souls!
Anything that you can do--” she threw open the door of a large
apartment, evidently the property room of some theatrical company. The
floor space on the left was taken up with bundles of stage costumes
neatly folded and tagged. A white toga with an olive wreath and a pair
of sandals lay next a costume Othello might have worn, judging by the
coffee-colored stockinette tucked into the yellow satin cloak. On the
right of the door were four decent beds; in the corner stood a dining
table with a loaf of bread, a green wicker basket of ricotta, and a
flask of Genzano. The room was half full of people.
“This lady wishes to talk with the Messinesi,” cried the _padrona_,
good-naturedly elbowing the crowd, evidently friends and hangers-on of
the house. “You have seen them, yes? They only have two eyes apiece and
one mouth? Well, then make room for the stranger lady. She may do
something besides stare at the poor abandoned creatures.”
The people readily fell back and I found myself face to face with one of
the first families of the survivors who had reached Rome. At sight of
them I was overcome with suffocating emotion. It was a full minute
before I could speak, before I could see through the sudden mist that
blinded me. It was as if their sufferings had set them apart, their
sorrows hallowed them.
In the middle of the group stood an old man and woman, holding each
other by the hand. Both were bent and wan looking; the woman seemed the
less shaken of the two. She had a wonderful shrivelled face with
gray-blue eyes and a brown seamed skin, stooping shoulders covered by a
small peasant shawl, and an alert wiry little body. It was my business
to ask certain questions, but it was more than a minute before I could
get out the words.
“What are your names?”
“I am Rosina Calabresi,” the staunch old woman quavered. “This is my
husband; he cannot talk much yet. He is better now, but for three days
after the earthquake he could not say a word. This is our son Francesco,
and this is his wife.” Francesco, a soft-eyed young man, patted his
wife’s hand; she hid her face on his shoulder and began to weep. “This
is my grandson,” Rosina continued, “he is of Reggio. He was staying with
us that he might go to school in Messina. His mother is my eldest
daughter. We have not yet heard from his parents. We do not know whether
they are alive or dead.”
The boy, a pale, interesting lad of fourteen, looked at me with serious
unmoved face.
Public-domain text, read in full here on John Shaqi.
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