Humorous stories, American; New York (N.Y.) -- Fiction; Short stories, American
"He wouldn't come across with a five in advance, either," says Snick.
"How's that for the granite heart?"
"It's like other tales of woe I've heard you tell," says I, "and
generally they could be traced to your backin' three kings, or gettin'
an inside tip on some beanery skate."
"That's right," says he, "but never again. I've quit the sportin' life
for good. Just the same, if I don't show up on the waggon for the
'leven o'clock trip I'll be turned loose. If you don't believe it
Shorty, I'll----"
"Ah, don't go callin' any notary publics," says I. "Here's the V to
take up that ticket. But say, Snick; how many times do I have to buy
out that eye before I get an equity in it?"
"It's yours now; honest, it is," says he. "If you say so, I'll write
out a bill of sale."
"No," says I, "your word goes. Do you pass it?"
He said he did.
"Thanks," says I. "I always have thought that was a fine eye, and I'm
proud to own it. So long, Snick."
There's one good thing about Snick Butters; after he's made his touch
he knows enough to fade; don't hang around and rub it in, or give you a
chance to wish you hadn't been so easy. It's touch and go with him,
and before I'd got out the last of my remarks he was on his way.
It wa'n't more'n half josh, though, that I was givin' him about that
phony pane of his. It was a work of art, one of the bright blue kind.
As a general thing you can always spot a bought eye as far as you can
see it, they're so set and stary. But Snick got his when he was young
and, bein' a cute kid, he had learned how to use it so well that most
folks never knew the difference. He could do about everything but see
with it.
First off he'd trained it to keep pace with the other, movin' 'em
together, like they was natural; but whenever he wanted to he could
make the glass one stand still and let the other roam around. He
always did that on Friday afternoons when he got up to speak pieces in
the grammar school. And it was no trick at all for him to look wall
eyed one minute, cross eyed the next, and then straighten 'em out with
a jerk of his head. Maybe if it hadn't been for that eye of Snick's
I'd have got further'n the eighth grade.
His star performance, though, was when he did a jugglin' act keepin'
three potatoes in the air. He'd follow the murphies with his good eye
and turn the other one on the audience, and if you didn't know how it
was done, it would give you the creeps up and down the back, just
watchin' him.
Public-domain text, read in full here on John Shaqi.
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