Signing the Contract, and What It CostFinley, Martha
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Signing the Contract, and What It Cost
Finley, Martha
American fiction -- 19th century
“Your sister? No--yes; that is, nothing recent, but I have just learned
that she has a daughter living at no great distance from this. Shall I
send for the girl?”
“Send for her? How could you wait to ask? Why did you delay a moment
when you know that I’m dying with longing for the sight of somebody
who has a drop of my blood in her veins?” she interrupted in great
excitement and anger.
“Only for your own sake, Madame,” he answered deprecatingly. “Knowing
the precarious state of your health--”
“Oh, don’t stop to talk!” she cried, half rising from her chair. “Where
is she? She must be sent for this instant! As if I could wait, and my
sister’s child within reach! Mary must run down and order the carriage
at once.”
“Softly, softly, my dear Madame,” he said soothingly. “I have
anticipated your wishes so far as to make arrangements for the
young lady to be here within an hour from this time,” consulting
his watch, “and in the mean while I must lay before you the proofs
of her identity, and have your opinion as to their being altogether
satisfactory and convincing.”
“Oh, if you have decided that they are, it’s quite sufficient,” she
answered with a sort of weary impatience; “you would be less easily
deceived than I.”
“But we may as well fill up the time with the examination; and you
will be glad to learn something of your sister’s history after your
separation?” he remarked persuasively, taking from his pocket the
papers Floy had given him.
“Ah, yes, yes!” she cried with eagerness. “I did not understand that
you had that to communicate to me. Ah, Pansy, Pansy! my poor little
Pansy!” and covering her face with her handkerchief, she sobbed
convulsively.
“Come, my dear Madame, cheer up!” he said, “she is still living--”
“Oh, is she? is she?” she again interrupted him, starting up wildly.
“But why don’t you go on? why will you keep me in this torturing
suspense?”
“I am trying to go on as fast as I can,” he said a little impatiently.
“I was about to correct my last statement by saying we have at least
reason to hope that your sister still lives, and that we shall yet find
her.”
“But the girl--the daughter--have you seen her? and doesn’t she know
all about her mother?”
“No, Madame; but if you want to hear the facts, as far as I have been
able to gather them, your best plan will be to listen quietly to what
I have to say. There is quite a little story to be told, and one that
cannot fail to be of interest to you.”
Of interest! The Madame almost held her breath lest she should lose a
syllable of the narrative as he went on to describe the scenes enacted
in the shanty inn and depot at Clearfield Station, in which her sister
had borne so conspicuous a part.
Then he showed her the deed of gift.
“Yes, yes,” she said, pointing to the signature, “that is my poor
Ethel’s handwriting. I should recognize it anywhere. It was always
peculiar. Oh, where is the child?”
“Downstairs in the parlor. Shall I call her? shall I bring her to you?”
Public-domain text, read in full here on John Shaqi.
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