Signing the Contract, and What It CostFinley, Martha
General
Signing the Contract, and What It Cost
Finley, Martha
American fiction -- 19th century
She was too much moved to speak. She nodded assent.
In a moment more Floy stood before her.
The Madame gave a cry of mingled joy and surprise, and held out her
arms.
“Is it you--_you_? oh, I am glad! I am the happiest woman alive!”
Floy knelt down by her side and suffered herself to be enfolded by the
stout arms, pressed against the broad breast, kissed and cried over.
She had meditated upon Madame’s sufferings from loneliness and disease
till her heart was melted with pity. She had thought upon the fact
that the same blood flowed in their veins--that this was the sister,
the only, and probably dearly loved, sister of the unknown yet beloved
mother of whom she was in quest--till a feeling akin to affection had
sprung up within her.
“My poor dear aunt,” she whispered, twining her arms about the Madame’s
neck and imprinting a kiss upon her lips, “what a dreary, lonely life
you have had! God helping me, I will make it happier than it has been.”
“Ah, yes, child!” returned her new-found relative, repeating her caress
with added tenderness; “and you, you poor darling! shall never have
to toil for your bread any more. Ah, what a delight it will be to me
to lavish on you every desirable thing that money can buy! It is Miss
Kemper, but it is my little Pansy too; did I not see the likeness from
the first?” and the tears coursed down the Madame’s swarthy cheeks.
“Why do you call me that?” asked Floy.
“It was my pet name for my sister. She was so sweet and pretty, so
modest, gentle, and retiring. And she called me Tulip, because, as she
said, my beauty was gorgeous, like that of the flower. You would not
think it now; there’s not a trace of it left,” she added, with a heavy
sigh and a rueful glance into a pier-glass opposite.
It was all quite true. Nannette Gramont (that was the Madame’s maiden
name) had a sylph-like form, a rich brunette complexion, sparkling
eyes, ruby lips, a countenance and manners full of vivacity and mirth.
Now she was dull and spiritless; her eye had lost its brightness; the
once smiling mouth wore a fretful expression; the smooth, clear skin
had grown sallow and disfigured by pimples and blotches not to be
concealed by the most liberal use of powder and rouge, poor substitute
for the natural bloom which had disappeared forever under the combined
influence of high living, indulged temper, remorse and consequent
ill-health, far more than advancing years.
“You were not alike then?” Floy said, with a secret sense of relief.
“No, no! never in the least, in looks or disposition. I was always
quick-tempered and imperious, Ethel so gentle and yielding that we
never quarrelled--never till--ah, I cannot endure the thought of it!”
And burying her face in her handkerchief, the Madame wept bitterly.
For a moment there was no sound in the room but her heavy sobbing, Floy
feeling quite at a loss for words of consolation; but at last she said
softly:
Public-domain text, read in full here on John Shaqi.
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